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Reviews

760 posts
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Angry Reminders: Lee Ann Roripaugh’s Tsunami vs. the Fukushima 50

  • Jeannine Hall Gailey
  • August 23, 2019
Human beings like to make myths out of things we don’t understand.
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Transcending Metaphor: Jenifer Sang Eun Park’s Autobiography of Horse

  • Risa Denenberg
  • August 2, 2019
To call [AUTOBIOGRAPHY OF HORSE] unique is an understatement.
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A Fierce Compassion: Women of Resistance: Poems for a New Feminism

  • Barbara Berman
  • July 26, 2019
WOMEN OF RESISTANCE recognizes this reality with fierce compassion, and a lot of really fine poetry.
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Making Absence Present: Save the Bathwater by Marina Carreira

  • Carla Sofia Ferreira
  • June 21, 2019
Saudade is often translated as longing, and as with most translations, what gets left out matters.
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A Kind of Balm: Angel Bones by Ilyse Kusnetz

  • Barbara Berman
  • June 14, 2019
Except she isn't windless and neither are we, thanks to her.
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Holding On: Ridiculous Light by Valencia Robin

  • Nichole LeFebvre
  • June 7, 2019
The poems of Ridiculous Light are wary of hope yet keep thrumming toward it.
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Show without Telling: Stay by Tanya Olson

  • Risa Denenberg
  • May 31, 2019
[I]f you want maximum pleasure from this collection, then, you will want to listen closely.
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Mindful Witnesses: Three Books from New Directions

  • Barbara Berman
  • May 24, 2019
Barbara Berman reviews work by Dunya Mikhail, Thomas Merton, and Robert Lax.
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A Cleansing Tornado: Heart Like a Window, Mouth Like a Cliff by Sara Borjas

  • Emily Pérez
  • May 10, 2019
Undergirding all the truth about pain is the triumph that comes from having a heart like a window and a mouth like a cliff.
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A Gentle Reckoning: Blas Falconer’s Forgive the Body This Failure

  • Dameion Wagner
  • April 26, 2019
If there is distance in this collection, it originates with our own discomfort with its subject matter.
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A Hard-Won Love: NOS by Aby Kaupang and Matthew Cooperman

  • Cassandra Cleghorn
  • April 19, 2019
The child is born of them, yet is other to them; they work on behalf, and yet despite, and also against her.
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A Live Ember: Stephanie Strickland’s How the Universe Is Made

  • Julie Marie Wade
  • April 12, 2019
Over time, Strickland’s lines themselves grow wild, less uniform in their patterns of indentation. Like root structures deep in the ground, they branch in many directions.
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