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Reviews

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Engine Empire by Cathy Park Hong

  • Nate East
  • August 22, 2012
There remain a few shops, labels, and presses in the United States that embody DIY artistic independence in the best way, combining the intensity and existential tenacity of hardcore punk…
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Ring of Bone: Collected Poems by Lew Welch

  • Lisa Wells
  • August 17, 2012
Lew Welch has been dead now for 40 years, just about as long as his total time on earth. He disappeared on May 23, 1971, walked out of poet and…
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Either Way I’m Celebrating by Sommer Browning

  • Sean Singer
  • August 15, 2012
Sommer Browning’s Either Way I’m Celebrating shows effervescence, delight in language, and whimsy, even as it hides more introspective and severe undertones. Taking elements of surrealism from the Ashbery branch…
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Dogs of Brooklyn by Susie DeFord

  • Spenser Davis
  • August 10, 2012
When poets decide to collect what they consider to be some of their best work into a manuscript, there are seemingly thousands of choices to make. Should all the poems…
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Troy, Unincorporated by Francesca Abbate

  • Barbara Berman
  • August 8, 2012
The good news about Troy, Unincorporated by Francesca Abbate, is that though it is a re-imagination of Chaucer’s “Troilus and Criseyde” from his Canterbury Tales, you don’t have to have…
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Butcher’s Tree by Feng Sun Chen

  • David Peak
  • August 3, 2012
Take the omniscience and time-weary voice of myths, add in the best parts of fables, namely the anthropomorphic language and the supernatural weirdness, ground it in some extremely compelling poetry, and you’re still nowhere near what’s happening in this book.
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Partyknife by Dan Magers

  • Matthew Zingg
  • August 1, 2012
When James Wright said, “I have wasted my life,” Dan Magers must haven taken it to heart.
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Scared Text by Eric Baus

  • Julie Brooks Barbour
  • July 27, 2012
A metamorphosis occurs among the prose poems of Eric Baus’ collection, Scared Text, winner of the Colorado Prize for Poetry. We are the audience, the spectators, but also part of…
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Advice for Lovers by Julian Talamantez Brolaski

  • T Fleischmann
  • July 25, 2012
“A rose is arrows is eros,” as one poem has it, and who is to argue? Love and lyricism are all the better for their queerness. Brolaski, with a powerfully trans poetic, instructs us on just this fact, cloying power dynamics, pulling hair, and refusing any of the quaint old boundaries.
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Black Square by Tadeusz Dąbrowski

  • Jim Zukowski
  • July 20, 2012
To say the least, the speaker in the collection works hard to figure himself out in relation to philosophical, religious, and spiritual matters, and while some American readers may find such a project quaint, naïve, or retro, it holds power because the speaker, no matter his tone or particular mood, remains piercingly perceptive and unabashedly honest.
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Paradise, Indiana by Bruce Snider

  • James Crews
  • July 18, 2012
It’s gratifying that Bruce Snider dwells in the past without so much as a hint of nostalgia, that he offers up both the beauty and devastation of small-town Indiana.
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I Am Your Slave Now Do What I Say by Anthony Madrid

  • Virginia Konchan
  • July 14, 2012
If this collection didn’t have one again questioning the origin and provenance of poetry (other than the intellect or empirical self), the poems would be getting short shrift.
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