Making Sure It Fits: A Conversation with Jon Chaiim McConnell
Jon Chaiim McConnell discusses his new novella, THRUM.
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Join NOW!Jon Chaiim McConnell discusses his new novella, THRUM.
...moreElizabeth Gonzalez James discusses her debut novel, MONA AT SEA.
...moreChinatown comes to vivid life in Yu’s hands.
...more“I am the salt; the stories are the food.”
...more“This novel is my most intimate and biographical.”
...moreFrances Badalamenti discusses her debut novel, I DON’T BLAME YOU.
...more“It was a relief to be out of the confines of scriptwriting. I was having fun again.”
...moreTina Alexis Allen discusses her memoir, HIDING OUT.
...moreAdrian Todd Zuniga discusses his debut novel, COLLISION THEORY.
...moreJoe Ide discusses his debut novel, IQ his writing process, and why he enjoys fly fishing.
...morePerhaps Bridget fans who watched the movies but never read the books might not find this movie to be such a hard blow… But those who read the books—and those who loved the pilgrim soul in Bridget—will feel the loss more keenly.
...moreScreenwriters do the bulk of their work prior to the green light. Cameras not rolling. Trying to get films made. They toil at the wrong end of the time risk curve, taking on time risk in a myriad of forms. In a column for Wordplay, screenwriter Terry Rossio explores the notion of “time risk” as […]
...more…the verbiage comes to seem obsessive: a compulsion to name, label, and caption which, in heightening the absurdity of words, strips them of their power. In an excerpt from his new book published in the New Yorker, Dennis Lim analyzes what (and why) David Lynch leaves unsaid.
...moreMeryl Streep announced that she is funding The Writer’s Lab, a new program dedicated to supporting and mentoring female screenwriters over 40—directly in response to the gender and age bias against female writers. Twelve writers have been selected to attend the first retreat and develop their scripts.
...moreAustin Bunn talks about his new story collection, The Brink, his latest script for a short film, In the Hollow, working in multiple mediums, and why some novels read like early drafts of screenplays.
...moreNick Hornby often ends up fielding questions from fans eager to understand why he frequently writes about women, especially since he’s a man. Many of his novels feature female protagonists, and his second career as a screenwriter includes what he calls the “young girl trilogy.” It’s not a coincidence that women are the center of […]
...moreScreenwriter and comic book artist Ariel Schrag discusses writing for different media, identity politics, and sympathizing with a straight male teen pretending to be trans in her new novel Adam.
...moreDoes screenwriting qualify as “real” writing? Over at the New Yorker, Richard Brody wonders what F. Scott Fitzgerald’s failed shot at Hollywood reveals about film as an industry and as an art: Fitzgerald was undone by his screenwriting-is-writing mistake. It’s a notion that has its basis in artistic form. Look at Fitzgerald’s books: they are […]
...moreWycliffe A. Hill is the grandfather of the cookie cutter Hollywood movie. Author of Ten Million Photoplay Plots: The Master Key to All Dramatic Plots, which was published in 1919, Hill created an assembly line approach to writing screenplays: character + dramatic situation + setting = movie. For example: “An old man wrongfully accused of […]
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