The Paris Review
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Backcountry Childhoods
Memory forms, piece by piece. Some of them go missing, others interlock, firm. We fill in the missing pieces with what we imagine or just leave the gap, admit the blank. And sometimes, we imagine what might have been, would…
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Drop Whatever You’re Doing and Read This Toni Morrison Interview
In 1993, an interview with Toni Morrison appeared in The Paris Review—and it feels just as relevant and immediate twenty years later. Morrison covers vast ground: what makes a good editor, how white writers get black characters wrong (or right), the importance…
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Seeing What Wharton Saw
Jason Diamond writes about how he came to a deeper understanding of Edith Wharton, her work, and the New York neighborhood where she grew up and which Diamond “once tried so hard to avoid.” Wharton is one of the few…
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War Paint and Purse Pistols
She floated above my desk with a grave, almost murderous look, war paint on her cheeks, blonde braids framing her face, the braids a frolicsome countertone to her intensity. The paint on her cheeks, not frolicsome. The streaks of it,…
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Report from the HMS Bounty
“The risks have become legend, and the language for intense emotions—whether love or loss—are borrowed from the extremes of life at sea.” The Paris Review Daily posts the story of Robin Beth Schaer, a deckhand on the HMS Bounty, the…
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The Rumpus Interview with Lorin Stein
When Lorin Stein took the helm at the Paris Review in April 2010, he was just the third editor in the magazine’s storied history. Founded by the legendary George Plimpton in 1953, the Review has been responsible for launching the careers of some of America’s preeminent writers…
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Love in Lake Forest
At The Paris Review, Rumpus contributor Jason Diamond wonders about F. Scott Fitzgerald’s repeated references to Lake Forest, Illinois, determining that the city’s significance derived from the fact that it was the hometown of Fitzgerald’s first love, Ginevra King, who…
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Words of Our Lives
“The main thing about something gruckimish is that gruck (the noun form) is always the unintended byproduct of the creator’s intention. Things that are supposed to be funny are rarely gruckimish. On the other hand, to call something gruckimish is…
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Cendrars, The Extraordinary Daydreamer
Long before David Shields excoriated the strict boundaries between journalism and fiction, espousing, in its place, a loose and open-ended hybrid that is more in keeping with “reality”, a Swiss-born Frenchman with one arm, a Gauloises cigarette forever dangling from…
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Maud Newton Ecstatic About The Paris Review
Maud Newton’s enthusiasm is always infectious — and a few days ago she celebrated in glowing terms the most recent issue of The Paris Review, the first with its new editor, Lorin Stein.
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Notable New York, This Week 6/21 – 6/27
This week in New York Bret Easton Ellis and Shane Jones read, Light Industry screens “arty porn,” the musical Bloody Bloody Andrew Jackson is in its final run at the Public Theater, The Fiery Furnaces and The New Bomb Turks…
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The Paris Review Goes Southern
It’s “Terry Southern Month” at The Paris Review Daily—the quarterly’s online “culture gazette,” the goal of which is to stay in touch with The Paris Review’s audience between print issues. Today, read an interview with Terry Southern from Issue 138.…