Memory forms, piece by piece. Some of them go missing, others interlock, firm. We fill in the missing pieces with what we imagine or just leave the gap, admit the…
In 1993, an interview with Toni Morrison appeared in The Paris Review—and it feels just as relevant and immediate twenty years later. Morrison covers vast ground: what makes a good editor, how…
Jason Diamond writes about how he came to a deeper understanding of Edith Wharton, her work, and the New York neighborhood where she grew up and which Diamond “once tried…
She floated above my desk with a grave, almost murderous look, war paint on her cheeks, blonde braids framing her face, the braids a frolicsome countertone to her intensity. The…
“The risks have become legend, and the language for intense emotions—whether love or loss—are borrowed from the extremes of life at sea.” The Paris Review Daily posts the story of…
When Lorin Stein took the helm at the Paris Review in April 2010, he was just the third editor in the magazine’s storied history. Founded by the legendary George Plimpton in 1953, the Review has been responsible…
At The Paris Review, Rumpus contributor Jason Diamond wonders about F. Scott Fitzgerald’s repeated references to Lake Forest, Illinois, determining that the city’s significance derived from the fact that it…
“The main thing about something gruckimish is that gruck (the noun form) is always the unintended byproduct of the creator’s intention. Things that are supposed to be funny are rarely…
Long before David Shields excoriated the strict boundaries between journalism and fiction, espousing, in its place, a loose and open-ended hybrid that is more in keeping with “reality”, a Swiss-born…
Maud Newton’s enthusiasm is always infectious — and a few days ago she celebrated in glowing terms the most recent issue of The Paris Review, the first with its new…
This week in New York Bret Easton Ellis and Shane Jones read, Light Industry screens “arty porn,” the musical Bloody Bloody Andrew Jackson is in its final run at the…
It’s “Terry Southern Month” at The Paris Review Daily—the quarterly’s online “culture gazette,” the goal of which is to stay in touch with The Paris Review’s audience between print issues.…