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Posts by tag

Tim Parks

22 posts
  • Other

Conversation Starters

  • P.E. Garcia
  • October 6, 2014
What do Fifty Shades of Grey and Tristram Shandy have in common? They’ve both started a lot of conversations. In the New York Review of Books, Tim Parks tries to…
Read
  • Other

Critics vs. Copies

  • Diksha Basu
  • July 25, 2014
Have you actually read Knausgaard or have you only read about Knausgaard? The sales numbers don’t seem to support the phenomenon that this Norwegian writer has become. For the New York…
Read
  • Other

Weekly Geekery

  • Lyz Lenz
  • June 17, 2014
Do video games undermine empathy? Or are they just a comfortable scapegoat for a violent culture? Scientists search for an evolutionary reason for art. Spoiler alert: The answer is men…
Read
  • Other

On Changing Things

  • Casey Dayan
  • June 11, 2014
Over at the New York Review of Books blog, Tim Parks gives us a short, historical narrative concerned with the ways in which our changing attention spans have altered our…
Read
  • Other

“The Woes of the Wannabe”

  • Lauren O'Neal
  • January 13, 2014
The prospect of publication, the urgent need, as they see it, to publish as soon as possible, colors everything [my students] do….It will be hard for those who have never…
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  • Other

Trapped Inside the Novel

  • Guia Cortassa
  • November 13, 2013
My problem with the grand traditional novel—or rather traditional narrative in general, short stories included—is the vision of character, the constant reinforcement of a fictional selfhood that accumulates meaning through…
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  • Other

Why We Write About What We Write About

  • Tara Landers
  • June 24, 2013
At the New York Review of Books‘s blog, Tim Parks explores how authors might subconsciously get inspiration for their novels from unresolved personal conflicts. Specifically, he reflects on the lives of Chekhov…
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  • Other

English Takeover

  • Sam Riley
  • June 15, 2011
Tim Parks writes on the tensions between lingua franca and vernacular—readers and writers don’t want to be confined to the limits of their national origin, while wanting to keep the…
Read
  • Features & Reviews

The Boring, Unplayful, Unoriginal Global Novel

  • Michael Berger
  • February 18, 2010
“What are the consequences for literature? From the moment an author perceives his ultimate audience as international rather than national, the nature of his writing is bound to change. In…
Read
  • Features & Reviews

“Shakespeare would have eased off the puns”

  • Seth Fischer
  • February 14, 2010
“What seems doomed to disappear, or at least to risk neglect, is the kind of work that revels in the subtle nuances of its own language and literary culture, the…
Read

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