What do Fifty Shades of Grey and Tristram Shandy have in common? They’ve both started a lot of conversations. In the New York Review of Books, Tim Parks tries to…
Have you actually read Knausgaard or have you only read about Knausgaard? The sales numbers don’t seem to support the phenomenon that this Norwegian writer has become. For the New York…
Do video games undermine empathy? Or are they just a comfortable scapegoat for a violent culture? Scientists search for an evolutionary reason for art. Spoiler alert: The answer is men…
Over at the New York Review of Books blog, Tim Parks gives us a short, historical narrative concerned with the ways in which our changing attention spans have altered our…
The prospect of publication, the urgent need, as they see it, to publish as soon as possible, colors everything [my students] do….It will be hard for those who have never…
My problem with the grand traditional novel—or rather traditional narrative in general, short stories included—is the vision of character, the constant reinforcement of a fictional selfhood that accumulates meaning through…
At the New York Review of Books‘s blog, Tim Parks explores how authors might subconsciously get inspiration for their novels from unresolved personal conflicts. Specifically, he reflects on the lives of Chekhov…
Tim Parks writes on the tensions between lingua franca and vernacular—readers and writers don’t want to be confined to the limits of their national origin, while wanting to keep the…
“What are the consequences for literature? From the moment an author perceives his ultimate audience as international rather than national, the nature of his writing is bound to change. In…
“What seems doomed to disappear, or at least to risk neglect, is the kind of work that revels in the subtle nuances of its own language and literary culture, the…