Notable NYC: 4/7–4/13
Literary events and readings in and around New York City this week!
...morePosts Tagged: Victor LaValle
What to Read When You Want to Celebrate Black History
Rumpus editors share for their favorite writing that speaks to black history, past and present.
...moreNotable NYC: 6/17–6/23
Sunday 6/18: Sherman Alexie presents his memoir You Don’t Have to Say You Love Me. WORD Jersey City, 5 p.m., free. Monday 6/19: Arundhati Roy presents The Ministry of Utmost Happiness. BAM, 7:30 p.m., $25.
...moreNotable NYC: 6/10–6/16
Saturday 6/10: Katie Kitamura and others join AmpLit Fest. Pier i, West 70th Street, Noon, Free. Sunday 6/11: Hafizah Geter, Ricardo Alberto Maldonado, Lara Mimosa Montes, Cathy Linh Che, Lucas De Lima, and Carly Joy Miller join the Dead Rabbits Reading Series. DTUT, 8 p.m., free. Matt DiPentima, Etan Nchin, Iris Cohen, and Jen DeGregorio […]
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The Rumpus Interview with Emily Raboteau
Emily Raboteau discusses her essay, “Know Your Rights!” from the collection, The Fire This Time, what she loves about motherhood, and why it’s time for White America to get uncomfortable.
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VISIBLE: Women Writers of Color: Jaquira Díaz
Jaquira Díaz discusses the challenge of writing about family members, her greatest joy as a writer, and her literary role models.
...moreThe Lexicon of Horror
At The Millions, Madeleine Monson-Rosen explores how the “lexicon of horror” influences novelist Victor LaValle’s thinking about “narrative and language.” In addition, the article discusses how LaValle’s most recent work, The Ballad of Black Tom, draws from H.P. Lovecraft’s “The Horror of Red Hook” for inspiration.
...moreThe Limits of Horror
At SF Signal, Victor LaValle discusses his horror novella, The Ballad of Black Tom, and writers using the constraints/limitations of genre to their advantage. Want more? Check out our own recent interview with LaValle here.
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The Rumpus Interview with Victor LaValle
Victor LaValle discusses his latest book, The Ballad of Black Tom, patience, H.P. Lovecraft, and reinvention.
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The Rumpus Interview with Kaitlyn Greenidge
Kaitlyn Greenidge discusses her debut novel, We Love You, Charlie Freeman, siblinghood and sisterhood, and finding a group to call “my people” in the larger literary world.
...moreHappy to Be Called Horror
“JC: Though the book also has elements of horror, like Stephen King, it reads very differently than a Stephen King novel. Do you consider it in the horror genre? “VLV: It’s my great hope that this book will be considered a horror novel! Sometimes reviewers and readers have been resistant to offer the label, maybe […]
...moreNotable New York, This Week 3/1 – 3/7
This week in New York, it’s Armory Arts Week, Justin Taylor and Porochista Khakpour tell your literary fortune at Canteen Magazine’s Second Annual Benefit Gala, The PooL Art Fair opens, Old Hat performs, Happy Ending Reading Series presents Extreme Situations with Benjamin Anastas, Liev Schreiber talks to Jordan Roth, and Krista Tippett and Andrew Solomon […]
...moreNotable New York, This Week 10/26 – 11/1
In New York this week, James Frey and Maira Kalman at the CLMP Spelling Bee, members of The National collaborate with visual artist Matthew Ritchie in The Long Count at BAM, Sherman Alexie and Chuck Klosterman read, Guernica Magazine turns 5, Performa 09 begins, Literary Death Match returns to New York, and Lawrence Weschler presents […]
...moreBig Machine: The New Novel I’m Most Excited About Reading
Every Tuesday the new books arrive at my store. I get to slice open the boxes, pull out the books, price them and arrange them in the most appealing and eye-catching way possible. Because I don’t personally order them, it’s often a surprise what it’s inside. A tremendously exciting surprise that reduces me to a […]
...moreSaturday Morning Links
Morning, everyone. Here are some links to get your weekend started. I suspect that I’ll never be buying in a bar where bartenders harvest the grain that makes their spirits. I was a bartender while in college, and I didn’t like going for my own ice. much less my own raw agave, so I can’t […]
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