Walt Whitman
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David Biespiel’s Poetry Wire: Pedagogy of the Oppressed
[Boston] was a map out of the damage of my self-awareness and into some new evidence of beauty.
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Remarks On Walking Around in Boston
As you walk, you become intensely aware in two directions. There is the outer world, and there is your head space. It is not necessary or possible really to keep strict focus on one or the other. They blend together.
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The Rumpus Interview with Bradley Somer
Author Bradley Somer discusses his latest book, Fishbowl, troublesome words, his past in archeology and anthropology, and the importance of the present moment.
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David Biespiel’s Poetry Wire: Cornerstones of American Poetry
The only way I can put it is, no American poet I have ever met regardless of disposition or poetics has disliked Frank Stanford’s poems.
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How Curious You Are To Me, Bill Murray
On Monday, Bill Murray led a parade of poets across the Brooklyn Bridge in honor of Walt Whitman’s 1856 poem “Crossing Brooklyn Ferry” at the 20th annual Poets House Brooklyn Bridge Poetry Walk. At the end of the walk, the…
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War Narratives #1: Truth and Fiction
The notion that the truth about combat cannot be described in a book goes back to the American Civil War, at least.
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The Saturday Rumpus Essay: O Martyr My Martyr!
In most communities, teachers are compensated so poorly and afforded so little respect that in many cases the primary compensation is martyrdom.
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Charles Simic on Walt Whitman
Poet Charles Simic may prefer the “pleasant aftertaste” of a literary amuse-bouche before bed, but when prompted about one of his favorite literary passages, he chose Walt Whitman’s “A Sight in Camp in the Daybreak Gray and Dim.” Over at…
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150 Years of Drum-Taps
“Mr. Whitman,” [Henry James] harrumphed, “is very fond of blowing his own trumpet.” The Boston Globe celebrates Walt Whitman’s Drum-Taps, which turned 150 this month, and discusses how when it was first published, not everyone thought it was worth celebrating.
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The Ship that Walt Whitman Launched
In The New Republic, Leon Wieselter explains how a line from Walt Whitman inspired the publication’s logo.

