All posts by Dean Rader

August 31st, 2011

The Day I Got Burned I Wanted To Be Burned

If you like Hayes, if you like little books, if you like political poetry, or, if you are like me and like all three, you’ll find this book compelling. Tactily pleasing, the physical properties of the book accentuate Hayes’s muscular poems. It’s a great marriage of author and publisher. …more

May 25th, 2011

The Hokum of Her Clothes

Like Whitman, Laux’s work is the poetry of accrual. Like a snowman, it gains girth as it rolls along. …more

March 30th, 2011

And Then Lapsed Ordinary

Heaney’s phrasings boast fewer pyrotechnics, and his topics veer toward the meditative, the mournful, and the missing. …more

December 22nd, 2010

Hammer Is the Prayer of the Poor and the Dying

For [Christian] Wiman, form is the fire his feet are held to. It’s the syntactic embers that burn, the linguistic flames that flare. At no point does Wiman let the reader forget she is reading poetry. …more

November 3rd, 2010

A Dialogue at the Core of Her Being

In No Surrender, Ai successfully blends personal autobiographical poems with her trademark dramatic monologues, making for a truly original text—a kind of personified hybridity—that is both haunting and humorous …more

August 27th, 2010

Between Good and Bad, Right and Wrong


James Longenbach’s fourth book of poems, The Iron Key, feels like it has itself arrived from a different era. It oozes nostalgia for the many charms of Venice, the complexities of Greek myths, and the ethereal pleasures of opera and poetry that is, paradoxically, both old-fashioned and refreshing. …more

About

Dean Rader is a professor at the University of San Francisco who reviews and writes about poetry for The San Francisco Chronicle. His first book of poems, Works & Days, won the 2010 T. S. Eliot Poetry Prize.

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