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From Stephen Elliott
If you like Hayes, if you like little books, if you like political poetry, or, if you are like me and like all three, you’ll find this book compelling. Tactily pleasing, the physical properties of the book accentuate Hayes’s muscular poems. It’s a great marriage of author and publisher. …more
Like Whitman, Laux’s work is the poetry of accrual. Like a snowman, it gains girth as it rolls along. …more
Heaney’s phrasings boast fewer pyrotechnics, and his topics veer toward the meditative, the mournful, and the missing. …more
For [Christian] Wiman, form is the fire his feet are held to. It’s the syntactic embers that burn, the linguistic flames that flare. At no point does Wiman let the reader forget she is reading poetry. …more
In No Surrender, Ai successfully blends personal autobiographical poems with her trademark dramatic monologues, making for a truly original text—a kind of personified hybridity—that is both haunting and humorous …more
James Longenbach’s fourth book of poems, The Iron Key, feels like it has itself arrived from a different era. It oozes nostalgia for the many charms of Venice, the complexities of Greek myths, and the ethereal pleasures of opera and poetry that is, paradoxically, both old-fashioned and refreshing. …more