Whether writing about Mozart or Björk, punk rock or opera, Alex Ross urges readers to search for the moments when the familiar becomes strange.
Like boxes in storage, Andrea Scrima’s memories are itinerant. Wherever she resides, nothing seems to be in the right place.
In Joshua Cohen’s hyperreal world of kitsch, the Sabbath becomes law, Auschwitz becomes Whateverwitz, and the world’s last Jew is on the run.
“As the writer wrestles with his book and his family, we reexamine our thoughts about the writer. It’s a performance in which writer and reader have equal billing.”
What do nuclear waste, suicide, and Las Vegas have in common? John D’Agata searches for meaning in the heart of Yucca Mountain