Posts Tagged: Film

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The Saturday Rumpus Review of It Follows

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It Follows interrogates its patriarchal ancestry and forges a unique and clever film in the process. ...more

The Idiot Follows

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Scary movie of the hour It Follows is peppered with intertextual references to Dostoyevsky’s The Idiot. Ben Apatoff looks for the connection (if there is one):

If anything, The Idiot enhances It Follows more than it represents it, augmenting the film’s foreboding atmosphere with quotes from a writer who could create anxiety and suspense as artfully as any of the Russian greats.

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Getting It Right

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People have been writing about civil rights for years, but it’s taken Hollywood until now to warm up to the subject (of course, not enough). Bill Morris traces the history of the movement’s cinematic representations leading up to Ava DuVernay’s recent triumph:

Movies about the civil rights movement — the successful ones– have tended to follow one of two strategies.

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Being Like Him: Fathers, Daughters, and Sons in Boyhood

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That scene at Antone’s plays out one of my biggest fears: that when women aren’t in the room, straight men shift their conversations. ...more

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The Rumpus Interview with Alix Lambert

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Director Alix Lambert talks about her documentary, Mentor, small-town conformity, and bullying in the digital age. ...more

Writing Screen

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Book-to-movie adaptations are nothing new, but does the transition work the other way around? Over at Electric Literature, Tobias Carroll examines the capacity of prose to put film on paper:

This shouldn’t work, but it does. Perhaps it’s that the deconstructive elements of the novel echo another part of the world of cinema: between film school and film criticism, discussion is as much a part of cinema as images projected onto a screen.

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The Neverending Story

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For years, film buffs have been devouring companion material to the original works that captured their interest—deleted scenes, commentary, bloopers, most eagerly that much-loved paean to auteurism, the director’s cut. To accept this practice is to acknowledge the impossibility of artistic perfection; as the saying goes, “art is never finished, only abandoned.” The New Republic wonders why the literary world is so hesitant to make the same admission.

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Kickstarting “Desire”

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Yony Leyser, director of the documentary about William S. Burroughs, is making a feature film about Berlin’s queer community, and he needs your help to crowdfund it. Over at IndiewireLeyser explains his desire to deglamorize the city’s dark underground scene and explore what it means to be a member of a community whose definition is constantly in flux:

I go back and forth from being firmly committed to the “queer community” to being totally and completely disillusioned with the concept and diametrically opposed to it.

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An Evening with Derek Waters at SFIFF

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Some would say that Derek Waters is a man with an idea. And, that idea is to get people inebriated and then ask them to recount an historical event.

But there’s so much more than that. He is a writer, actor, comedian, and film producer, and this Saturday, he will make his third appearance at the San Francisco International Film Festival in as many years.

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An Ode to Roger Ebert

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The New Yorker pays tribute to Roger Ebert in “Postscript: Roger Ebert, 1942-2013.”  The article states:

Ebert writes, in the introduction to his 2006 anthology of his work, “Awake in the Dark,” of seeing “three movies during a routine workday,” and, according to Douglas Martin’s obituary in the Times, Ebert “said he saw 500 films a year and reviewed half of them.” Some movies elicit passionate exultation; others, passionate revulsion.

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