Posts Tagged: Film
A self-described “actor’s director,” James Steven Sadwith has been writing, directing, and producing television movies, miniseries, and dramas for nearly three decades—and is perhaps best known for his work on the lives of Frank Sinatra and Elvis. But for Coming through the Rye, his first feature film for the big screen, Sadwith comes closer to home, chronicling in fictional form the journey he himself embarked upon as a youth....more
In an article for the New Yorker, Richard Brody writes about the newly restored 1967 film by Hans-Jürgen Syberberg, Romy: Anatomy of a Face. The film “offers an intimate view of the actress Romy Schneider, revealing crucial conflicts behind the image of a public figure who loomed large in the German national imagination—and within the art of movies itself” and will be shown during the Museum of Modern Art’s “To Save and Project” film festival this month....more
As ever, we’ve a stimulating shortlist to offset the arrival of the cold autumn weather: look no further for the latest in art, film, theatre and restaurant openings.
No need to be depressed thinking about winter’s inevitability. Instead, check out this to-do list for the season of mellow fruitfulness from AnOther....more
While it sounds pretty weird, this was standard practice back in the day. According to Patrick Miller in his article “Music and the Silent Film,” Hollywood director D.W. Griffith enlisted a brass band to encourage extras during the battle sequences of his 1916 three-and-a-half-hour epic, Intolerance.
San Francisco filmmaker Jenni Olson has just released her new film, a cinematic essay titled The Royal Road. Made up of historical research material and lyrical, personal monologues, the film is “a primer on Junipero Serra’s Spanish colonization of California and the Mexican American War alongside intimate reflections on nostalgia, the pursuit of unavailable women, butch identity and Alfred Hitchcock’s Vertigo—all against a contemplative backdrop of 16mm urban California landscapes, and featuring a voiceover cameo by Tony Kushner.”
Head over to Vimeo to see the entire movie, and watch the trailer after the jump!...more
After Adderall, a Rumpus-produced movie written and directed (and starring) Rumpus Founder and Editor-in-Chief Stephen Elliott, has been getting some great write-ups. And it’s probably playing somewhere near you very soon!...more
In the past couple of years it has become nearly impossible to avoid a certain genre of New York documentary that can best be described as urban eulogy. But The Lost Arcade, directed by Kurt Vincent and written by Irene Chin, isn’t just another wistful goodbye to the dirty boulevards of pre-gentrification New York....more
Screenwriters do the bulk of their work prior to the green light. Cameras not rolling. Trying to get films made. They toil at the wrong end of the time risk curve, taking on time risk in a myriad of forms.
In a column for Wordplay, screenwriter Terry Rossio explores the notion of “time risk” as it relates to “the power structure of Hollywood”— i.e., the relationship between screenwriters, producers, directors, actors, and agents....more
Not only are these characters destined to die in the cautionary tales and to endure marriages to self-congratulatory men in the redemptions tales, they don’t even have anyone to miss them when they succumb to these fates
At Hazlitt, Alana Massey writes about the baseless trope in films of the depraved and friendless female sex worker needing to be saved by a strong male client, and the poisonous quality it has in an age after movies like Magic Mike and My Own Private Idaho have told the stories of male sex workers in supportive and communal ways....more