Posts Tagged: Film

The Rumpus Mini-Interview Project #58: James Steven Sadwith

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A self-described “actor’s director,” James Steven Sadwith has been writing, directing, and producing television movies, miniseries, and dramas for nearly three decades—and is perhaps best known for his work on the lives of Frank Sinatra and Elvis. But for Coming through the Rye, his first feature film for the big screen, Sadwith comes closer to home, chronicling in fictional form the journey he himself embarked upon as a youth.

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The Rumpus Review of Nate Parker’s The Birth of a Nation

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Parker set out to bring a different kind of “slavery movie” to audiences. And it is different. ...more

Portrait of an Actress

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In an article for the New Yorker, Richard Brody writes about the newly restored 1967 film by Hans-Jürgen Syberberg, Romy: Anatomy of a Face. The film “offers an intimate view of the actress Romy Schneider, revealing crucial conflicts behind the image of a public figure who loomed large in the German national imagination—and within the art of movies itself” and will be shown during the Museum of Modern Art’s “To Save and Project” film festival this month.

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Rising Above the Rink: Remembering Bill Nunn

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In those little moments, a higher truth emerges from above the rink: with some humor, peace becomes more possible. ...more

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The Rumpus Review of Bridget Jones’s Baby

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Perhaps Bridget fans who watched the movies but never read the books might not find this movie to be such a hard blow... But those who read the books—and those who loved the pilgrim soul in Bridget—will feel the loss more keenly. ...more

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The Rumpus Review of The Light Between Oceans

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I wanted so badly to invest in the characters, to cry and feel their pain, but I felt detached. ...more

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Sound & Vision #25: Brendan Toller

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Allyson McCabe talks with Brendan Toller about his love of vinyl records, buying music in local stores, and his latest documentary film Danny Says, an examination of publicist and manager Danny Fields. ...more

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The Rumpus Review of One More Time with Feeling

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“We didn’t ask for it,” Cave begins another poetic flight, and again we think he’s talking about something ghastly, “but it’s all around us, a gratuitous beauty.” ...more

California Tales

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San Francisco filmmaker Jenni Olson has just released her new film, a cinematic essay titled The Royal Road. Made up of historical research material and lyrical, personal monologues, the film is “a primer on Junipero Serra’s Spanish colonization of California and the Mexican American War alongside intimate reflections on nostalgia, the pursuit of unavailable women, butch identity and Alfred Hitchcock’s Vertigo—all against a contemplative backdrop of 16mm urban California landscapes, and featuring a voiceover cameo by Tony Kushner.”

Head over to Vimeo to see the entire movie, and watch the trailer after the jump!

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After Adderall: It’s Playing Everywhere

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After Adderall, a Rumpus-produced movie written and directed (and starring) Rumpus Founder and Editor-in-Chief Stephen Elliott, has been getting some great write-ups. And it’s probably playing somewhere near you very soon!

September 12, 2016, Brooklyn: The Brooklyn Book Festival @ Videology 308 Bedford
September 14, 2016, Columbus Ohio: Gateway Film Center

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The Rumpus Mini-Review of The Lost Arcade

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In the past couple of years it has become nearly impossible to avoid a certain genre of New York documentary that can best be described as urban eulogy. But The Lost Arcade, directed by Kurt Vincent and written by Irene Chin, isn’t just another wistful goodbye to the dirty boulevards of pre-gentrification New York.

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Time Risk in Hollywood

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Screenwriters do the bulk of their work prior to the green light. Cameras not rolling. Trying to get films made. They toil at the wrong end of the time risk curve, taking on time risk in a myriad of forms. 

In a column for Wordplay, screenwriter Terry Rossio explores the notion of “time risk” as it relates to “the power structure of Hollywood”— i.e., the relationship between screenwriters, producers, directors, actors, and agents.

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Florence Foster Jenkins, Meryl Streep, and White Feminism

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Streep’s career encapsulates the mid-to-late 20th century ideal of American whiteness as aspirational and as attainable. ...more

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The Rumpus Review of Seoul Searching

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Seeing is a critical part of normalizing, and though it seems like a rudimentary expectation, it’s important for American audiences to see Korean-Americans simply living their lives. ...more

Friendless Female Sex Workers

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Not only are these characters destined to die in the cautionary tales and to endure marriages to self-congratulatory men in the redemptions tales, they don’t even have anyone to miss them when they succumb to these fates

At Hazlitt, Alana Massey writes about the baseless trope in films of the depraved and friendless female sex worker needing to be saved by a strong male client, and the poisonous quality it has in an age after movies like Magic Mike and My Own Private Idaho have told the stories of male sex workers in supportive and communal ways.

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The Things Abandoned by Hollywood

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Thinking about his films while watching an American film leads to a sobering realization: all the things that Kiarostami could not show in his films became the only things Hollywood filmmakers chose to show in theirs. What he showed in his films were the things abandoned by Hollywood: conversation, friendship, understanding, compassion, and empathy.

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Looking Back to New Jack City

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The 1991 cult film New Jack City is once again examined and celebrated this week, with okayplayer. publishing one piece celebrating its soundtrack, and another with a behind-the-scenes reflection from the film’s star Ice T. The artist talks about playing a cop for his first role in the days when he was best known for rapping “Cop Killer.”

New Jack City also starred Wesley Snipes, Allen Payne, Judd Nelson, and Chris Rock, featuring music from Ice T, Keith Sweat, 2 Live Crew, Queen Latifah, and more.

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Obviously the Work of Artists

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Director Mark Osborne describes to Vulture how he adapted Antoine de Saint-Exupéry’s The Little Prince into an animated film:

“When you’re reading the book, you’re told over and over again in the text, ‘These drawings aren’t very good,’ and you’re actually being tricked into imagining the reality Saint-Exupéry was trying to depict,” says Osborne.

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The Rumpus Review of Ghostbusters

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An agenda can only exist when there is a contingent opposing it. We only push for representation when so many hours and characters of wrath are poured into keeping us out. ...more

Belles of the Box Office

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The multifaceted Kirsten Dunst is going to direct a new film version of Sylvia Plath’s The Bell Jar, and the lovely Dakota Fanning is set to star in it, the Guardian reports. “Dunst has co-written the film with Nellie Kim, while Fanning is a co-producer; shooting is scheduled to begin in early 2017,” the article said.

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Boyz n the Hood, Chi-Raq, and America 2016

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And while the faces and nomenclature between these historically discrete agents of change differ, the one governing commonality remains the same: unfettered gun ownership and correlative violence play a pivotal role. ...more

When Clothes Don’t Make The Man: What Suited Leaves Out

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Jason Benjamin’s HBO documentary Suited, produced by HBO’s Girls co-creators Lena Dunham and Jenni Konner, is an eye-opening journey into the niche subject of dressing for success when you’re a gender nonconforming individual. Brooklyn bespoke tailoring company Bindle & Keep is a no-frills, two-person operation consisting of straight, cisgender male founder Daniel who fell into his calling through his non-binary, apprentice-turned-colleague Rae (née Rachel).

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Translating the Elderly: Amour, The Intern, and Our Many Selves

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The elderly become reminders not of our imminent mortality, but of our ever-evolving humanity, our enduring lust—and need—for connection and purpose. ...more

The Rumpus Wants to Talk Film Festivals

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Paul Giamatti plays Abraham Zapruder-who-shot-JFKs-assasination

The Saturday Rumpus Essay: The Kill Shot

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1964, a month prior to the anniversary of JFK’s assassination, a different home movie shot. Infant toss. Up-down. Plummeting. I’m ten months of age—picking up speed. ...more