Posts Tagged: Film

The Rumpus Review of It Comes at Night

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“It” does not even “come” in the traditional sense. These primal, atavistic qualities are with us all the time, lying dormant until the right situation coaxes them forth. ...more

How The Keepers Reframes Confession as a Feminist Act

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Critics have noted how The Keepers is similar to other prestige documentaries but with a significant difference—its focus on the victims and their stories. ...more

Out of the Trenches: The Rumpus Review of Wonder Woman

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If there was ever a case for women avoiding Botox, Diana’s signature skepticism for the patriarchy is it. She has never encountered womanhood as subordinate, and she’s not about to start. ...more

Lone Star Cinema

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In clinging to a set of memories that fade more every day, maybe I’m also clinging to an idyllic version of my own past. ...more

The Rumpus Book Club Chat with Julie Buntin

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Julie Buntin discusses her debut novel, Marlena, the writers and books that influenced it, tackling addiction with compassion, and the magic of teenage girls. ...more

Don’t Think Twice and the Power of Improvising through the Unknown

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It’s a little extraordinary when you realize that you’re the one getting in your own way. ...more

The Rumpus Mini-Interview Project #77: Hauschka

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Lion could be a simple homecoming story, the prodigal son returning to the place he was born. Except, the son in question was six when he left. Now, he’s twenty-six and his story is far from simple. Garth Davis’s film, like his TV offering Top of the Lake, is a beautiful, emotional rollercoaster. 

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The Rumpus Mini Interview Project #75: Deborah Kampmeier

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I met Deborah Kampmeier at a workshop in November. We were two weeks post-election; the room was raw with emotion, and electric with conversations about resistance. This tall, badass woman dressed in all black sauntered into the room, and chose a seat at the table.

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The Rumpus Interview with Kea Wilson

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Kea Wilson discusses her debut novel We Eat Our Own, the influence of film on her work, and what she's learned from working as a bookseller. ...more

Oscars Flub as Grand Finale for Camp

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On the Hollywood stage—amidst gasps, jaw drops, and pearl clutches—we witnessed one final, beautifully coded failure and an over-the-top dethroning of the serious. ...more

Swinging Modern Sounds #78: Conceived as a Playlist

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Shadowbahn [...] is among the most unusual, and most extreme, in a literary career that has often been marked by its unpredictability. ...more

Safety Nets: On Seeing Movies with My Children

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There’s no blueprint for any of this. If there were, I would have read it by now. ...more

The Rumpus Mini-Interview Project #71: Kris D’Agostino

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In Kris D’Agostino’s second novel, The Antiques, he returns to familiar forms: A dysfunctional family whose members are in various stages of arrested development; a generational home in upstate New York; and the absurdity of life in its most darkly comedic moments.

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The Rumpus Interview with Tobias Carroll

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Tobias Carroll discusses his newest collection Transitory, the influence of film on his writing, and getting good news at bad times. ...more

The Future of Body Horror: Can Our Art Keep up with Our Suffering?

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The individuality of body horror is its signature attribute. Nothing is more intimate than one’s own body, and by extension, one’s own physical suffering. ...more

The Rumpus Review of La La Land

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Fantasy needs reality “because it’s only with the real backdrop that it works at all,” and reality needs fantasy to challenge its façade ...more

Macho Prey: Homophobia and Unlikely Victims in Tickled

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The film only grazes the issue, but homophobia is the fuel of the harassment that the targets face. ...more

The Rumpus Mini-Interview Project #58: James Steven Sadwith

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A self-described “actor’s director,” James Steven Sadwith has been writing, directing, and producing television movies, miniseries, and dramas for nearly three decades—and is perhaps best known for his work on the lives of Frank Sinatra and Elvis. But for Coming through the Rye, his first feature film for the big screen, Sadwith comes closer to home, chronicling in fictional form the journey he himself embarked upon as a youth.

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The Rumpus Review of Nate Parker’s The Birth of a Nation

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Parker set out to bring a different kind of “slavery movie” to audiences. And it is different. ...more

Portrait of an Actress

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In an article for the New Yorker, Richard Brody writes about the newly restored 1967 film by Hans-Jürgen Syberberg, Romy: Anatomy of a Face. The film “offers an intimate view of the actress Romy Schneider, revealing crucial conflicts behind the image of a public figure who loomed large in the German national imagination—and within the art of movies itself” and will be shown during the Museum of Modern Art’s “To Save and Project” film festival this month.

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Rising Above the Rink: Remembering Bill Nunn

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In those little moments, a higher truth emerges from above the rink: with some humor, peace becomes more possible. ...more

The Rumpus Review of Bridget Jones’s Baby

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Perhaps Bridget fans who watched the movies but never read the books might not find this movie to be such a hard blow... But those who read the books—and those who loved the pilgrim soul in Bridget—will feel the loss more keenly. ...more

The Rumpus Review of The Light Between Oceans

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I wanted so badly to invest in the characters, to cry and feel their pain, but I felt detached. ...more

Sound & Vision: Brendan Toller

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Allyson McCabe talks with Brendan Toller about his love of vinyl records, buying music in local stores, and his latest documentary film Danny Says, an examination of publicist and manager Danny Fields. ...more