Darth Vader, King Laios (Fill Out Their Applications as, Across the Lobby, Genghis Khan’s “Cat’s in the Cradle” Ringtone Plays): Fathers of the Year
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Douglas Kearney’s poetry collections include Fear, Some (2006) and The Black Automaton (2009), which was chosen by Catherine Wagner for the National Poetry Series. His poetry has appeared in several anthologies, including The Ringing Ear: Black Poets Lean South (2007, edited by Nikky Finney), Spoken Word Revolution Redux (2007, edited by Mark Eleveld), Dark Matter: Reading the Bones (2005, edited by Sheree R. Thomas), and Role Call: A Generational Anthology of Social and Political Black Art & Literature (2002, edited by Tony Medina, Samiya A. Bashir, and Quarishi Ali Lansana).
His honors include a Whiting Writers Award, a Pushcart nomination, and commissions for new work from Minneapolis’s Weisman Art Museum and New York’s Studio Museum. In 2007, he was named a Notable New American Poet by the Poetry Society of America. Kearney has also received fellowships and scholarships from Idyllwild Summer Arts Poetry Workshop, Cave Canem, the Callaloo Creative Writing Workshops, and the Bread Loaf Writers’ Conference.