I’ve read that book over and over because I think it tells us something brilliant about the slippery nature of monstrosity: that the body is not ever evil; it’s the mind that bends.
Take the omniscience and time-weary voice of myths, add in the best parts of fables, namely the anthropomorphic language and the supernatural weirdness, ground it in some extremely compelling poetry, and you’re still nowhere near what’s happening in this book.
Want a free writing lesson? Colson Whitehead has some helpful tips over at The New York Times’ Sunday Book Review. If you missed it, be sure to read Nancy Smith’s Rumpus interview with…
Man Booker longlist announced . . . The deliciously subversive Paula Boemer’s novel, NINE MONTHS, coming soon from Soho. Soho, I should add, is cranking lately. They took Alex Shakar’s…
We are still in that time in our history where public figures come out of invisible closets largely built by a public insatiable in its desire to know all the intimate details of the private lives of very public people.
A metamorphosis occurs among the prose poems of Eric Baus’ collection, Scared Text, winner of the Colorado Prize for Poetry. We are the audience, the spectators, but also part of…
It’s Saturday morning, and so I’m sitting in a coffee shop which is in relative close proximity to my apartment. I’ve been going to coffee shops on Saturday mornings for…
“A rose is arrows is eros,” as one poem has it, and who is to argue? Love and lyricism are all the better for their queerness. Brolaski, with a powerfully trans poetic, instructs us on just this fact, cloying power dynamics, pulling hair, and refusing any of the quaint old boundaries.
If you’re a member of the Rumpus Poetry Book Club (and if you aren’t, here you go), then you should have received your copy of Leigh Stein’s Dispatch From the…