From Ball’s absurdist perspective, leaning into the world’s inherent purposelessness isn’t about embracing mortality. It’s about embracing complete obliteration.
Almost ten years have passed since Lynn Xu’s debut, the luminous Debts & Lessons, introduced us to her oracle. “Let it not be for what you write, the world /…
Which Side Are You On is a novel both of the heart and the mind: one that makes you think and question your perception of the world and your place in it, and feel deeply and fervently about what matters to you.
. . . language is duplicitous. To be broken is perhaps to be part of a process (or a metaphor for life), where to bend (and survive) also leads to being broken. In this context, the word “broken” in “Reverse Engineer” might well point to a hard-won success.
. . . a scathing, satirical campus novel about academia, orientalism, the Western commodification of Asian cultures, and the lengths to which institutions will go to protect their reputations and their darlings.
Rather than saying, Fuck it, and remaining stagnant in the face of cultural horrors, Monson suggests readers start with the marginalia. Exhaust all possibilities. Carve a new path where sweeping prescriptions fail to stick.
The Last Days . . . has nothing much to do with tennis or with Roger Federer, who appears sparingly in these pages . . . [nor is it] “intended to be a comprehensive study of last things, or of lastness generally.”