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Reviews

2645 posts
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Artifacts of Adolescence: Curing Season by Kristine Langley Mahler

  • Melinda Copp
  • January 24, 2023
We lose track of things and people over time. But back then, they felt like everything.
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Finding Freedom in the Absurd: Jesse Ball’s Autoportrait

  • Michael Knapp
  • January 17, 2023
From Ball’s absurdist perspective, leaning into the world’s inherent purposelessness isn’t about embracing mortality. It’s about embracing complete obliteration.
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  • Kateri Kramer
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Sketch Book Reviews: Beaverland by Leila Phillip

  • Kateri Kramer
  • January 13, 2023
. . . a little beaver named Geronimo
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Another Oracle: Lynn Xu’s Those Ashen Heaps That Cantilevered Vase of Light

  • S. Brook Corfman
  • January 11, 2023
Almost ten years have passed since Lynn Xu’s debut, the luminous Debts & Lessons, introduced us to her oracle. “Let it not be for what you write, the world /…
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Balancing the Heart and Mind: Ryan Lee Wong’s Which Side Are You On

  • Bareerah Y. Ghani
  • January 10, 2023
Which Side Are You On is a novel both of the heart and the mind: one that makes you think and question your perception of the world and your place in it, and feel deeply and fervently about what matters to you.
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What Is a Person?: Lydia Conklin’s Rainbow Rainbow

  • Anna Potter
  • January 3, 2023
Safety requires setting up clear boundaries, but a restricted life is lonely and isolating and often impossible to bear.
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The Sense of Words: Reverse Engineer by Kate Colby

  • Randall Potts
  • December 28, 2022
. . . language is duplicitous. To be broken is perhaps to be part of a process (or a metaphor for life), where to bend (and survive) also leads to being broken. In this context, the word “broken” in “Reverse Engineer” might well point to a hard-won success.
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The Story and the Truth: Elaine Hsieh Chou’s Disorientation

  • Sarah Lyn Rogers
  • December 27, 2022
. . . a scathing, satirical campus novel about academia, orientalism, the Western commodification of Asian cultures, and the lengths to which institutions will go to protect their reputations and their darlings.
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The Claws That Type the Text: Ander Monson’s Predator: A Memoir, a Movie, an Obsession

  • Mason Andrew Hamberlin
  • December 20, 2022
Rather than saying, Fuck it, and remaining stagnant in the face of cultural horrors, Monson suggests readers start with the marginalia. Exhaust all possibilities. Carve a new path where sweeping prescriptions fail to stick.
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SKETCH BOOK REVIEWS: Three Faves

  • Kateri Kramer
  • December 16, 2022
A roundup of great books that didn't make it into Sketch Book Reviews this year
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A World Where We Are Known and Loved: Shelley Wong’s As She Appears

  • Alice Liang
  • December 14, 2022
to be seen is not the same thing as being known
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Take Your Divagations Seriously: Geoff Dyer’s The Last Days of Roger Federer

  • Vineet Gill
  • December 13, 2022
The Last Days . . . has nothing much to do with tennis or with Roger Federer, who appears sparingly in these pages . . . [nor is it] “intended to be a comprehensive study of last things, or of lastness generally.”
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