[Peter] Gizzi’s particular gift is to posit that shifting location where senses meet the terrible and the sublime, where political portent or its brittle actualities announce themselves in various configurations.
Sitting on the edge of the English language, Aleksandr Solzhenitsyn’s new collection Apricot Jam and Other Stories pushes us into twentieth century Russia.
Based in research of museum design, and memorialization, Slot’s narrator moves inside public landmarks dedicated to various disasters—9/11, slavery, Hiroshima, the Holocaust— and explores ways memorialization acts on conscience and…
Helen DeWitt’s satirical novel Lightning Rods turns the quotidian American workplace into a cloaked prostitution ring and makes us wonder if it isn’t already one.
Set in a profane and beautiful world of uncertain values—a world that resembles ours but is in fact post-World War I Bucovina—Gregor von Rezzori’s An Ermine in Czernopol is a…
Marge Piercy’s unflinching clarity of vision continues to be the kind of sturdy example so vital to literature. She has long been teaching and in the public arena, on the…
Hesperus Press collected four long-neglected critical essays for their new collection, Virginia Woolf’s On Fiction. Her criticism, like her fiction, is an utter delight.
In three very different but equally gorgeous sections, Griffith guides us through every poetic form from sonnet to villanelle, all while examining the idea of what it means to be…