Rumpus Originals
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Boys and Oil: Taylor Brorby on Making Space for Queer Stories on the Great Plains
I developed two books. One I called “The Gay Book,” and one I called “The North Dakota Book.” Well, those are the same book, as you can imagine.
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Voices on Addiction: Whatever Fatal Thing
D— was dreamy in the precise manner of Neil Young circa 1974. Long, dark hair; green eyes; great butt; nice smile. He was sweet, funny, just tall enough. Wore a felt hat with a hatband he’d beaded himself, and a…
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Threats of Violence: Discussing Pain, Form, and Cinema du Corps with Author Stephanie LaCava
There is a hyper self-awareness in all my work that acknowledges—teases itself, maybe—what it is addressing and from what entry point. I once modeled in a campaign for socks I designed for a skate label and on the box there…
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The Last Book
The poet goes to the supermarket for peanut butter. The poet cleans the toilet. The poet responds to emails.
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When Writing about Pain is Political: In Sensorium by Tanaïs
In In Sensorium . . . Tanaïs inhabits their pain fully and seeks new ways to describe and transcend it through scent, rather than just words.
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From the Archive: Rumpus Original Fiction: Mr. Burley
My favorite was usually the smallest, the most alive.
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Embracing the Half-Wild Creature: A Conversation with Sara Moore Wagner
That giant “unknown” that we’re hurtling towards is so vast. One day we’ll be torn apart by it.
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RUMPUS BOOK CLUB EXCERPT: USERS BY Colin Winnette
Subscribe by January 15 to the Poetry Book Club to receive this title and an invitation to an exclusive conversation with the author via Crowdcast
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Revising Time: Nonlinear Memory in Brian Tierney’s Rise and Float
I’m getting too close to the poems, but Tierney’s collection demands a closeness.
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I want their view of the world altered for the better: A conversation with Zein El-Amine
I believe that we wield whimsy to gain the malleability to adjust to the harshness of the human condition, and this is especially true when you live in war torn countries.
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Indiana Anomie: Budi Darma’s People from Bloomington
a portrait of the American tendency to keep the suffering of others at arm’s length as if misfortune were contagious, or to ruthlessly eliminate it entirely
