During the eight months he was sentenced to Rikers Island, a poet named Lauren Ireland wrote postcards to Lil Wayne. The rapper never responded, but the writer compiled them into a tiny purple book.
I let the flame get low. I fall asleep before blowing it out. I know I shouldn’t, but in the moments when I wake from nightmares, I like the warmth the candle offers, despite the danger.
Novelist LaShonda Katrice Barnett discusses her debut novel, Jam on the Vine, how becoming a historian taught her about plot, Muslims living in Texas in the 19th century, and the Missouri State Penitentiary, also known as “the bloodiest 47 acres in America.”
Poet and translator Tomás Q. Morin discusses his recent translation of Pablo Neruda's The Heights of Macchu Picchu, his relationship to the poet, and the role of translation in the world today.
It wasn’t until my mom came over after work and told me my brother had confessed to her that he'd been using heroin for two years and needed help that I knew I’d seen him with a needle in his arm.
Keyboardist and programmer Daniel Mintseris discusses his work with St. Vincent and Annie Clark, coming to the US from Lithuania at nineteen, and the difference between traditional composition and writing music on instinct using cutting-edge technology.
Jacob Wren discusses his newest novel, Polyamorous Love Song, the relationship between art and ethics, and whether Kanye West is a force for good in the art and music world.
Rick Moody emails with Scott Timberg, author of the new book Culture Crash: The Killing of the Creative Class, about Bob Dylan's new Sinatra covers album, the need for cultural gatekeepers, and the "slippery sub genre" of bad-on-purpose art.
By stepping outside the moments of life, we see that steady progress is illusory, that all we can rely on is upheaval and our animal drive for freedom.