The Dollhouse Within
What does it mean to be “in the house,” to be held in place in an age of motion, of fleeting relationships, realities, and contexts?
Rumpus Originals
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DEAR SUGAR, The Rumpus Advice Column #33: Orgasm-Friendly Zone
Yes, you are obliged to tell the men you’re sleeping with regularly that you’re not sleeping with them exclusively. There are no exceptions to this rule.
The Rumpus Interview with David Goodwillie and Teddy Wayne
Two debut novels addressing – amongst other topics ripped from the Zeitgeist – the symbiotic relationship between terrorism and the media, appear this month in bookstores:
Bobcat Country
Page after page, Bobcat Country stirs both the counter-intuitively satisfying “Should I be reading this?” queasiness of the Confessional poetry of Berryman, Sexton, and Snodgrass, and the unsettlingly provocative “Is…
10/40/70 #4: Cleo from 5 to 7
This column is an experiment in writing about film: what if, instead of freely choosing which parts of the film to address, I select three different, arbitrary time codes (in this…
The Baffler 2.0
Can a resuscitated left-wing publication—a print publication!—thrive in the hostile economic conditions of 2010? The editors of The Baffler are betting it can.
Happy Now?
A debut novel about a young husband’s suicide explores the pain, confusion, absurdity, and even humor of grief.
FUNNY WOMEN #22: My Life as Performance Art–An Exhibition
“I have always staged my fears as a way to transcend them.” – Marina Abramovic
Swinging Modern Sounds #21: On William Basinski
William Basinski was born in Texas in 1958, and, after a childhood playing wind instruments, he became in the early-eighties a composer of ambient and minimalist compositions.