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Rumpus Original

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  • Rumpus Original

RUMPUS POETRY BOOK CLUB EXCERPT: GARDEN by Gabrielle Bates

  • The Rumpus Book Club
  • December 7, 2022
An excerpt from The Rumpus Poetry Book Club's January selection, JUDAS GOAT by Gabrielle Bates forthcoming from Tin House Books on January 24, 2023
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American Mothers are Screaming: A conversation with Jessica Grose

  • Margot Kahn
  • December 7, 2022
I think people want more unstressed time with their kids. I think so much of the time we are spending with our kids we are exhausted, and we have all this other stuff on our minds that’s mentally draining, physically draining. But the answer is not always more childcare.
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Green eggs
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  • Essays
  • Rumpus Original

Space to Breathe

  • Krista Lee Hanson
  • December 6, 2022
We inhale when we’re born, then breathe and breathe and breathe until one day we exhale our final breath.
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The Art of Attention: Jill Christman’s If This Were Fiction: A Love Story in Essays

  • Brooke Champagne
  • December 6, 2022
“If you really want to look at someone, then your only option is to look at yourself, squarely and deeply.”
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Rumpus Original Fiction: Chicken

  • Nikki Ervice
  • December 5, 2022
I used my fingers on the neighbor and he liked it.
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Boys and Oil: Taylor Brorby on Making Space for Queer Stories on the Great Plains

  • Adam Swanson
  • December 5, 2022
I developed two books. One I called “The Gay Book,” and one I called “The North Dakota Book.” Well, those are the same book, as you can imagine.
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  • Funny Women
  • Rumpus Original

FUNNY WOMEN: I’m an Audience Member at this Panel Event, and I Have More of a Comment than a Question

  • Sarah Garfinkel
  • December 2, 2022
Feedback is a gift.
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  • Voices on Addiction

Voices on Addiction: Whatever Fatal Thing

  • Marian Palaia
  • December 1, 2022
D— was dreamy in the precise manner of Neil Young circa 1974. Long, dark hair; green eyes; great butt; nice smile. He was sweet, funny, just tall enough. Wore a…
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Threats of Violence: Discussing Pain, Form, and Cinema du Corps with Author Stephanie LaCava

  • Jean Marc Ah-Sen
  • November 30, 2022
There is a hyper self-awareness in all my work that acknowledges—teases itself, maybe—what it is addressing and from what entry point. I once modeled in a campaign for socks I designed for a skate label and on the box there was a small excerpt from one of my books.
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The Last Book

  • Kimberly Johnson
  • November 29, 2022
The poet goes to the supermarket for peanut butter. The poet cleans the toilet. The poet responds to emails.
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When Writing about Pain is Political: In Sensorium by Tanaïs

  • Ajay Makan
  • November 29, 2022
In In Sensorium . . . Tanaïs inhabits their pain fully and seeks new ways to describe and transcend it through scent, rather than just words.
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From the Archive: Rumpus Original Fiction: Mr. Burley

  • T Kira Madden
  • November 28, 2022
My favorite was usually the smallest, the most alive.
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