Ashley Cardiff, author of the recently-published Night Terrors: Sex, Dating, Puberty and Other Alarming Things, talks to us about the challenges of the sexy memoir, privacy, style, and poses the question of whether or not Axl Rose counts as a recluse.
John Dufresne writes his characters so well, renders them in such a vivid, three-dimensional way, because of [his] genuine affection for people. He is fascinated by human beings—who we are, what we do, and why...
Interior. Leather Bar. is actually less a tribute to the lost footage from Cruising, and more of a docufiction about the nature of sexuality, heteronormativity, and the representation of both in mainstream films.
He knew what he was doing when he looked at me and said, “Sing for me.” Had I been nude in his bed I would not have been as naked as I was then, stripped down to my brand new skin.
Suzanne Koven talks to neuroscientist Carl Hart about his recent book, High Price, and how misinformation, emotionalism, and racism have played major roles in our country's war—and our culture's views—on drugs.
If literary fiction offers an alternative to more mainstream "narratives of reassurance," can the oft-cited moral experiment of Heinz's Dilemma help us understand why such challenging work isn't more popular?
Julia Pistell, Rider Strong, and Tod Goldberg—writers and the hosts of the podcast Literary Disco—talk with us about the show's origin story, book criticism in the age of social media, and their upcoming live podcast.