The Eyeball #42: Talking to Tom Nissley About The Most Dangerous Game
Last year my friend Tom Nissley appeared on Jeopardy!, winning eight straight games, which allowed him to quit his job as a Books editor at Amazon
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THE LONELY VOICE #14: Isaac Babel, Every Grief Soaked Word
I mourn him like a lost brother. I’ve no right to say this. It’s ridiculous. Yet some voices, we convince ourselves, can’t be lived without.
Readers Report: Leftovers
A collection of short pieces written by Rumpus readers pertaining to the subject of “Leftovers.”
It’s Pigsty I
Nomura plays with language in radical and diverse ways, employing subtleties of rhythm, semantics, image, gender, punctuation, and repetition, often all within the same short stanza.
FUNNY WOMEN #69: Pitches for the Lifetime Movie Channel
Dear Lifetime Channel, I’m delighted to see Lifetime breaking new ground in source material for feature films, tapping directly into the zeitgeist and speaking straight to the next generation of…
The Rumpus Poetry Book Club Chat with T. R. Hummer
The Rumpus Poetry Book Club chats with T. R. Hummer about his poetry collection Ephemeron.
Ted Wilson Reviews the World #114
THE GAS PEDAL ★★★★★ (3 out of 5) Hello, and welcome to my week-by-week review of everything in the world. Today I am reviewing the gas pedal.
All Over Coffee #563 Collaboration with Isaac Fitzgerald
A beautiful All Over Coffee from artist Paul Madonna and author Isaac Fitzgerald. Click here to view. …more
Death of an Author
Edouard Levé’s Suicide, a slim, declarative, idea-driven novel, is daring and raw, and packed full of rewards for any reader willing to take a wide step outside of the American mainstream.
Why I Chose Amy Newman’s Dear Editor for the Rumpus Poetry Book Club
Rumpus Poetry Editor Brian Spears on why he chose Amy Newman’s Dear Editor as the December selection of The Rumpus Poetry Book Club:
The Rumpus Review of Melancholia
Melancholia, Lars von Trier’s new apocalyptic parlor drama, is a depressive’s feast, a vision of the end of the world as mercy killing.