Rumpus Original
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FUNNY WOMEN #35: A Southern Mad Lib
Insert your own words in the spaces below to make a wacky story!
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He, the People
A legal scholar warns of presidential power-mongering and calls for a national Day of Deliberation.
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The Rumpus Interview With Dinaw Mengestu
Dinaw Mengestu’s name may be hard to pronounce (dih-NOW men-GUESS-too), but you’ll soon be hearing it a lot more. Earlier this year, the Ethiopian-born author was named to The New Yorker’s list of the top 20 fiction writers under age 40,…
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Ted Wilson Reviews the World #57
MY COUCH ★★★★★ (3 out of 5) Hello, and welcome to my week-by-week review of everything in the world. Today I am reviewing my couch.
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In a Strange Room
“In every story of obsession there is only one character. I am writing about myself alone… for this reason I have always failed in every love, which is to say at the very heart of my life.”
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A Special Message From
Steve Almond:Dear Readers, Citizens, Freaks, Like a lot of you, I’ve been frustrated the last two years. Despite winning the presidency and overwhelming majorities in both houses of congress, Democrats have failed to act boldly on issues ranging from climate change…
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All Thumbs: Roger Ebert and the Decline of Film Criticism
I hate Roger Ebert. This may not be the most tactful time to say so, what with his genuinely brave fight against cancer, his inspiring display of spirit and endurance, and the endless adulation all this has encouraged in the…
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Maggot
Watching Paul Muldoon’s sentences course across the forms he has set for himself is like watching an elite athlete being put through his paces.
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DEAR SUGAR, The Rumpus Advice Column #53: “A Closed-Circuit System”
Is there any group of people on the planet more eagle-eyed than eighth graders? I think not
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What We Hack Up We Can Choke Down
It is Zweig’s essential Vermont-y-ness that makes her indispensable. The charm and beauty of those green mountains and isolation and mud seasons of that terrain is applied thickly in these poems.
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10/40/70 #25: The Hitch-Hiker
This ongoing experiment in film writing freezes a film at 10, 40, and 70 minutes, and keeps the commentary as close to those frames as possible. This week, I examine The Hitch-Hiker, directed by Ida Lupino (1953):