FUNNY WOMEN #123: Cover Letter Template
I have been responsible for spearheading many cover letters to companies like yours, which stand out from the competition because the openings you have seem as if they might pay a livable salary, to me.
Rumpus Original
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The Last Poem I Loved: “Let me tell you” by Miller Williams
They don’t usually realize that every line, every word of a poem, is there because the poet consciously chose that word instead of some other one.
TED WILSON REVIEWS THE WORLD #258
BALLOONS ★★★★★ Hello, and welcome to my week-by-week review of everything in the world. Today I am reviewing balloons.
Sound & Vision: Brian McTear
Music producer Brian McTear talks with Allyson McCabe about building a studio centered on relationships with musicians, his non-profit Weathervane, and the end of the DIY era.
Dog Lab
One day, I saw on the schedule Canine Cardiophysiology Lab. By then I had already carved up human carcasses in anatomy class . . . . Memories of mellifluous verses about springtime and the stark insights of Shakespearian tragedies had long since faded. I went through the motions without rest, a zombie memorizing body parts.
The Rumpus Review of Birdman
Birdman boils down to the same essential question of how we spend our days, and how those days add up to our years. How we make our story matter, and whether legacy is the point of existence, in how we measure the worth of our lives.
The Rumpus Interview with Maxwell Neely-Cohen
Maxwell Neely-Cohen discusses smart teens, furious parents, the apocalypse, and how our screens change how we see the world.
The Lonely Voice #29: Feels like the World, On a Story by Richard Bausch
Richard Bausch can take your head off with a plain sentence. He’s direct, no frills, no pirouettes. A writer who says what he means and not a word more.
I Thought I Could Just Be a Passenger
I have spent my twenties texturing this city with memory; I have made it a vessel for my pleasures and my pain.
The Rumpus Interview With Jon Hopkins
The Rumpus talks to Jon Hopkins about his new album, Asleep Versions, about songwriting, recording, and music, and about cooking dinner, sort of.
Leaving Early
I wasn’t looking at them, but I felt I should have been. It’s an act of bravery, to see and be seen, isn’t it? A way to connect? And wasn’t I, just then, needing to feel something like brave?
Thrown by Kerry Howley
Howley reserves a particular disdain or mistrust for people who end up back where they started from, and so do I.