From the Archive: FUNNY WOMEN #139: Gap Year To-Do List
Water is a precious resource; my portable soda stream honors that fact.
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Join NOW!Water is a precious resource; my portable soda stream honors that fact.
...moreI was finally going to fit in in this foreign country.
...moreAbi Daré discusses her debut novel, THE GIRL WITH THE LOUDING VOICE.
...moreThis is what I think of when I think of home; Africa is my altar.
...more“I love play, I love playfulness, play is fun and extremely serious.”
...moreReveal yourself. Reveal yourself. You cannot be dead. Reveal yourself.
...moreNamwali Serpell discusses her debut novel, THE OLD DRIFT.
...moreJames Hornor discusses his new novel, VICTORIA FALLS.
...moreShe never stopped, a bee buzzing from flower to flower to flower, collecting all the sweetness she could.
...moreThe Lost Boys had their moment in the media, but these people, these survivors, not boys at all and not lost now either, are still here, living lives, growing and changing and thinking and reflecting.
...moreAdichie is far more significant than her accusers seem to know.
...moreAgainst all odds, Caroline Chege is fighting for female representation in Kenya.
...moreI ask Hussein if he’s proud of the work he’s doing. He says that he is. We stop talking. For a moment, the market feels like peace.
...moreAndré Alexis discusses his latest book The Hidden Keys, puzzles, chance, divinity, and the Toronto literary community.
...moreImbolo Mbue discusses her debut novel Behold the Dreamers, teaching herself how to write a novel, and the price of the American Dream.
...moreRaphael Cormack discusses The Book of Khartoum: A City in Short Fiction, a collection of short stories he co-edited and translated, the editorial process, and the responsibilities that accompany translating writing.
...moreJonas Keller (no relation) offers valuable advice on stepping back when engaging with other cultures’ art. Despite what you might assume from the headline, he sidesteps instructions on how to watch African films and confronts Western paternalism head-on.
...moreBut these were not men, she realized. They were a cackle of spotted hyena, bright-toothed in the dark, and they were laughing at her.
...moreThe Rumpus Poetry Book Club chats with Sandra Meek about her new collection An Ecology of Elsewhere, writing landscapes, and the power of syntactic density.
...moreThere were chains. History books always describe the chains.
...moreChinelo Okparanta talks about her debut novel, Under the Udala Trees, her upcoming appearance at Portland’s Wordstock book festival, and LGBTQ rights in America and worldwide.
...moreAlthough all-things “African” had been exalted in my house, this was not the case for project kids at P.S. 40, nor the “best of the brightest” at P.S/I.S. 308. It was at those places where I learned that there was a world’s difference between how we’re raised, and how we grow up. Yahdon Israel writes […]
...moreMy money is no good here. I may wear the clothes or speak the language, but something in my manner always betrays me as foreign. Despite my chosen title, I do not belong in Brooklynstan.
...moreWithin the past five years, we’ve seen a sea change in attitudes towards homosexuality by writers, in part a response to virulent anti-homosexual legislation in key locations. Writers such as Chimamanda Adichie and Binyavanga Wainaina have been very open about their personal views on homosexuality and have gone on to challenge and change how homosexuality […]
...moreThis is a Lasgidi of the mind, representing a meld of many club nights in Lagos and alternate Lagoses through the past decade. It is a cauldron of that vertiginous self-confidence that anyone who knows any Nigerians knows well. Put down the New Yorker—Teju Cole is here with his selection of Nigerian dance jams, ready to […]
...moreAuthor Kara Richardson Whitely discusses her new memoir, Gorge: My Journey Up Kilimanjaro at 300 Pounds, surviving food addiction and the trauma of being molested, and what comes next.
...moreNearly a decade ago, Binvayanga Wainaina wrote an essay for Granta that changed his whole life. Now, he looks at the interior of African publishing, the landscape of literature on the continent, and the “Nollywoodification of the book market”: “I am least interested about how Europe, the West, represents Africa. The essay I wrote – ‘How to […]
...moreJoseph Conrad’s Heart of Darkness is driven by the search and discovery of Kurtz, the man turned mad by Africa. Kurtz is the pale white colonizer who rapes the continent, is also worshiped by the native population, and provides fodder for an endless stream of undergraduate English papers. However, there remains the question of whether […]
...moreThey did not tell us that love was not something you could throw away once finished. That it would remain on us like blackened scars, underneath blouses and in those places only we could see.
...moreFor anyone from the global fringe, the flattening expectation created by a cultural stereotype is pervasive and familiar.
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