Rachel Vorona Cote writes about the aesthetics of crying for The New Republic: To cry this way—vigorously, heartily, vulgarly—reveals vulnerability at the same time that it conveys physical might and…
Rachel Vorona Cote writes about how people use beauty to undermine the words of women: I understood, as I continue to understand with distressing nuance, that too many men navigate…
Over at Vela Magazine, Rachel Wilkinson explores the cultural significance of women’s hair: Feminists have often identified hair grooming as the first lesson in gender socialization. Dolls are perfectly designed…
I never recoiled, in that first season, to hear the nice people on the bus say “beautiful baby,” to us in reverent tones. It’s a thanksgiving for safe passage, a…
In an elegant and bracing piece for the New Yorker, recent Rumpus interviewee Adelle Waldman looks at the way men look at women. Beauty isn’t an ornament, either for the women…
At the Tazewell County Justice Center, on a Monday night in May, five women gather for a creative-writing class. They microwave plastic cups of instant coffee, then drag chairs up to the conference table where we’ll write.
“Fantasy is not avoidable. The very act of writing fiction is a sin, a lie. One of Disch’s most haunting stories, ‘Getting Into Death,’ is about a writer (one who…