Scripting New Narratives: Mandy Len Catron’s How to Fall in Love with Anyone
I can’t help but wonder what if, in detangling love stories and our relationships to them, Catron is building yet another narrative—an anti-narrative, perhaps—of love.
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Not Your Typical Hero: Hostage by Guy Delisle
Against the muscular inevitability of Hollywood heroism, Hostage introduces the possibility that, in the face of the incomprehensible, we might remain ourselves.
At the Intersection of Personal and Political: Resistance, Rebellion, Life: 50 Poems Now edited by Amit Majmudar
American writers have a long, distinguished history of calling out injustice.
Hunters and the Hunted: The Last Wolf & Herman by László Krasznahorkai
Vastness does not always mean an abyss.
The Occupation of America: Moving Kings by Joshua Cohen
[Moving Kings] has brilliant things to say about America and Israel, war and peace, diaspora and home.
Reclaiming the Language of Pop Culture: Reversible by Marisa Crawford
Marisa Crawford’s Reversible is an evocative collection, showcasing the ways in which pop culture saturates us with meaning, and how it teaches us to become.
Gogol Meets Google: Made for Love by Alissa Nutting
[A]ttempts to relegate human impulses to some eminently manageable virtual domain end up revealing more about humanity than tech.
You’re My Home Now: Lisa Ko’s The Leavers
First-time novelist Lisa Ko impressively employs a fractured narrative to portray the plight of fractured people, but don’t expect conventional satisfactions.
Grief Is Not Regret: May Cause Love by Kassi Underwood
When women do not want a pregnancy, we may not experience the marvel and awe some claim are instant and “natural”—or, if we do, they are overshadowed by fear, and grief.
Say Everything: The Fact of a Body by Alexandria Marzano-Lesnevich
Truth is complicated, thorny, and often paradoxical. Marzano-Lesnevich advocates for a version of events that doesn’t attempt to simplify its subjects, that doesn’t reduce human life to weak metaphors.
Embrace the Physical World: Touch by Courtney Maum
Touch is a compelling argument that we should embrace the physical world, genuine human connections, and reject the technology that comes between us and other people.
Unbridled Power in All Its Majestic Terror: Will Bardenwerper’s The Prisoner in His Palace
As we begin our own Age of the Strongman, Hussein’s almost effortless manipulation—of soldiers expecting exactly that behavior—shows how susceptible we all might be to the sheer force of a big personality.