Writing Toward Feeling: Talking with Jean Kyoung Frazier
Jean Kyoung Frazier discusses her debut novel, PIZZA GIRL.
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Join NOW!Jean Kyoung Frazier discusses her debut novel, PIZZA GIRL.
...moreLeslie Jamison interviews her mentor, Elizabeth McCracken.
...moreThen again, I wonder if the distinct pleasure of Las Vegas lies in the simulacrum.
...moreBlair Hurley discusses her debut novel, THE DEVOTED.
...moreI am not willing to let go of one of the only things that truly belong to my people and me. It’s a very exclusive, very tumultuous kind of privilege.
...moreMila Jaroniec talks about her debut novel Plastic Vodka Bottle Sleepover,” writing autofiction, the surprising similarity between selling sex toys and selling books, and the impact of having a baby on editing.
...moreWelcome to the Hindenburg Review Writers’ Workshop!
...moreWith the recent presidential election utilizing such unapologetic plagiarism, one wonders just what goes on in the minds of anyone who so confidently uses others’ words as their own. Marina Budhos meditates on this issue as she details the shocking moment of discovering that one of her own writing students had committed plagiarism.
...moreBrendan Jones talks about his debut novel, The Alaskan Laundry, living in Alaska, his time as a Wallace Stegner Fellow, and living and loving what you write.
...moreHere’s what I mean by not centering the author of the workshop piece: I always tell my students, following the lead of my favorite MFA professor, that the truth is that workshop is most helpful to the person talking, not the person being workshopped. Not that it isn’t or can’t be helpful to the person […]
...moreIs workshop not giving you enough helpful feedback on your poetry? Try framing a focus group about poetry instead.
...moreIn my father’s world, which still bore the markings of the class system he had fled seventeen years before, thinking that you were better than the life you had, which had actually allowed him to escape, was also a betrayal of one’s class. If I thought that I was talented enough to be a writer, […]
...moreOne could sense this passion in all of us. It seemed to fill the classroom as if it were part of the oxygen.
...moreElectric Literature and Catapult.co recently announced a new series of writing workshops and classes: Our goal is to connect emerging and unpublished writers with some of the most dynamic and interesting literary writers in NYC, and create the kind of writing classes we wish we could take ourselves. James Hannaham, Sarah Gerard, and Ted Thompson […]
...morePoet and memoirist Susanne Paola Antonetta discusses literary bias, feminism, and the origin of her nom de plume.
...moreFinally, a practical way to pursue your dream career as both writer and pirate. For ten days in April, you can set sail for the Caribbean with the Writing at Sea program organized by environmental journalist, writer, and poet Elizabeth Claire Alberts and Pangaea Exploration. Pilfering and pillaging not guaranteed: The expedition is a writers’ […]
...moreThe solution is that there is no good answer. There are no rules. A family member is lost. Friends disappear.
...moreWriting and sex have a lot in common, least enjoyable their knack for making participants feel vulnerable and insecure. But when anything goes, writers produce work that is beautiful for this very vulnerability: Believe it or not, the resulting scenes are often deeply moving. And here’s why: because nearly every bad decision a writer makes […]
...moreWriter and Rumpus contributor Steve Almond has a handful of spaces left in two classes he’s teaching at the Grotto in San Francisco on July 19. How to Write Riveting Scenes examines some of the best scenes written in literature and deconstructs what makes them great. How to Create an Irresistible Narrator addresses the often […]
...moreIf you’re ready to join a writing workshop or you’re thinking about it, you’ll surely want to know what may happen to you while attending one. That’s why Amy Klein compiled on a handy glossary of commonly-uttered workshop criticisms along with their true, ruthless meaning.
...moreOver at The Millions, Rumpus contributor Nick Ripatrazone looks at the many and varied paths that bring writers to the profession and considers the benefits of time spent studying subjects other than creative writing: Although I have drifted toward the science of syntax, I think about the positives of studying content that is not literary. My […]
...moreLorelei Lee, longtime Rumpus contributor, lover of books and creative writing scholar, is teaching “Sex, Death, Laughter, Disease: Writing and the Body,” a six-week class on corporeal creative writing hosted by the Center for Sex and Culture, SF. You can buy tickets and find out more about the course here.
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