Patrick Ryan discusses his new collection The Dream Life of Astronauts, the “bad old days,” and the human need to believe that everything will turn out okay in the end (even when we know it won’t).
Terry McDonell talks about his new memoir The Accidental Life and his career in the magazine business, which spans the beginning of New Journalism through the digital revolution.
For Hazlitt, Steven Price writes a beautiful elegy to his former editor, Ellen Seligman. Seligman and Price collaborated on Price’s By Gaslight, published in August, five months after Seligman’s passing.…
Without editor Robert Gottlieb, contemporary classics such as True Grit and Catch-22 might not exist in the forms we know them—but that doesn’t seem to move him. In a rare…
The “Unfinished: Thoughts Left Visible” exhibition at the Met Breuer Gallery meant more than just incomplete art, writer Patricia Park shares at Catapult. Park was invited to speak at the exhibition’s…
Supposedly, the most-common question for a writer is , “Where do you get your ideas?” but in my experience, it is actually, “Do you outline?” I don’t outline, but I…
For Catapult, Anuradha Roy talks about the process of receiving editorial feedback and how we’re inclined to react poorly to that feedback. Roy takes us from the phone call from…
At The Awl, Jo Livingstone discusses the divide between academic and popular writing. In this first installment of a two-part series, she is joined by David Wolf, the commissioning editor…
Asali Solomon discusses her debut novel, Disgruntled, narrative structure, the mythology of memory and place, and returning to Philadelphia after years away.
Tania James discusses her most recent novel, The Tusk That Did the Damage, the challenges of writing an elephant narrator, and the moment when she knew she could be a writer.