editing
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The Rumpus Interview with Max Porter
Max Porter discusses his debut novel, Grief is the Thing with Feathers, literary genres, and the changing roles of editors.
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Thank You, Editors
For Hazlitt, Steven Price writes a beautiful elegy to his former editor, Ellen Seligman. Seligman and Price collaborated on Price’s By Gaslight, published in August, five months after Seligman’s passing. Editing, at its highest level, is surely a creative act.…
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American Lit’s Reclusive Editor
Without editor Robert Gottlieb, contemporary classics such as True Grit and Catch-22 might not exist in the forms we know them—but that doesn’t seem to move him. In a rare interview for the Guardian, Michelle Dean visited Gottlieb at his…
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The Power of Incompleteness
The “Unfinished: Thoughts Left Visible” exhibition at the Met Breuer Gallery meant more than just incomplete art, writer Patricia Park shares at Catapult. Park was invited to speak at the exhibition’s launch, as were creatives from many different fields. The experience challenged…
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Notes on Craft
Supposedly, the most-common question for a writer is , “Where do you get your ideas?” but in my experience, it is actually, “Do you outline?” I don’t outline, but I do fill notebooks with scribbled thoughts about where the story…
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Rethink Your First Chapter
For Catapult, Anuradha Roy talks about the process of receiving editorial feedback and how we’re inclined to react poorly to that feedback. Roy takes us from the phone call from her brand-new publisher, suggesting she re-think her first chapter, to…
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Bridging the Writing Gap
At The Awl, Jo Livingstone discusses the divide between academic and popular writing. In this first installment of a two-part series, she is joined by David Wolf, the commissioning editor of the Guardian’s Long Read section, who offers the editor’s perspective…
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The Rumpus Poetry Book Club Chat with Jonterri Gadson
The Rumpus Poetry Book Club chats with Jonterri Gadson about Blues Triumphant, her love of editing, and the intersection of poetry and comedy.



