humor
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That’s What She Said
Have you submitted a piece to “Funny Women” and it wasn’t quite the right fit for the column? Have you always wanted to write for “Funny Women” or Daily Shouts or McSweeney’s Internet Tendency? Our very own Funny Women Editor Elissa…
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FUNNY WOMEN #150: A Little More About Customer #7611594
As for your offer to help me make sure I am getting the right gear, this is another question that troubles me hourly. Am I getting the right gear?
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The Rumpus Interview with Mila Jaroniec
Mila Jaroniec talks about her debut novel Plastic Vodka Bottle Sleepover,” writing autofiction, the surprising similarity between selling sex toys and selling books, and the impact of having a baby on editing.
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The Rumpus Poetry Book Club Chat with Rosalie Moffett
Rosalie Moffett discusses her new collection June in Eden, writing humor in poetry, using contemporary references, and trying to understand the world.
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This Week in Trumplandia
Welcome to This Week in Trumplandia. Check in with us every Thursday for a weekly roundup of the most pertinent content on our country, which is currently spiraling down a crappy toilet drain. You owe it to yourself, your communities,…
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The Rumpus Interview with Robert Glancy
Robert Glancy discusses his sophomore novel, Please Do Not Disturb, growing up under a dictatorship, borrowing and stealing from reality, and his love of proverbs.
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The Rumpus Interview with Jerald Walker
Jerald Walker discusses his memoir, The World in Flames: A Black Boyhood in a White Supremacist Doomsday Cult, the story of his childhood in The Worldwide Church of God, and how the act of writing delivered him from bitterness.
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FUNNY WOMEN #148: The Hindenburg Review Writers’ Workshop
Welcome to the Hindenburg Review Writers’ Workshop!
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FUNNY WOMEN #147: Marketing Roundtable at Skinny Cow©
But is this implying enough that thin is the final message? I’m not sure. Sexy, we’ve nailed. But how do we make it clear thin is the goal?
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The Rumpus Interview with Vi Khi Nao
Vi Khi Nao on her new novel Fish in Exile, why women shouldn’t apologize (even when they’re wrong), moving between genres, and why humor is vital in a novel full of darkness and grief.
