The rapid rise of “trigger warnings” is starting to impact literature curriculums. For instance, Columbia University students lobbied to include warnings on Ovid’s Metamorphoses, a core text in Western Literature…
At the New Yorker, John Colapinto explores Nabokov’s quintessentially American classic, Lolita, and just how a Russian-born writer could so perfectly capture American culture as an emigre, working specifically with…
Film adaptations can take their source novels in a million different directions, some innovative, others painfully off the mark. John Colapinto evaluates the movie versions of different Nabokov stories for…
Gina Nahai talks about her fifth novel, The Luminous Heart of Jonah S., Iran and Los Angeles, and the possibility of a long-sought-after peace in the Middle East.
A few weeks before Vladimir Nabokov’s Lolita came out, the New Yorker published a short story about a man consorting with a young woman named Lolita instead of her mother—but this story…
The other day I read a rambling but entertaining essay over on Bright Lights Film Journal, called All Tomorrow’s Playground Narratives, which analyzed Kubrick’s Lolita in terms of — well,…