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Reviews

760 posts
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Drinking a Glass of Light

  • Joey Connelly
  • March 23, 2012
The emotional theme of the volume, the nostalgia and death that is announced in the book’s title and reaffirmed in almost every poem to some extent, is what I know…
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Wind and Rain Make No Difference

  • T Fleischmann
  • March 21, 2012
Guide to Capturing a Plum Blossom could fit neatly into any number of contemporary-sounding categories: hybrid text, art book, lyric essay, etc. It is a book that relies on interdependence…
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What You Lost Is What Everyone Lost

  • Brachah Goykadosh
  • March 16, 2012
Often, in contemporary literature, grief becomes clichéd; O’Rourke, however, avoids sappiness or melodrama. Instead, her poetry probes at the actualization of grief, revealing a startling emotional depth.
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Thorns In Our Hair, But Never a Shroud

  • Nick Ripatrazone
  • March 14, 2012
Used well, the collective perspective affords the poet a wider voice, a surer sense. The reader feels present in these moments of ruin, trusting even the more fantastical occurrences.
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selected unpublished blog posts of a mexican panda express employee

  • Josh Cook
  • March 10, 2012
When Boyle is insightful, this style allows the brilliance of the insight to shine through unfiltered and unaided by the mechanisms of literature and poetry, sometimes with powerful effect.
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God’s Geese Go To Pond

  • Erin Lyndal Martin
  • March 9, 2012
Now, with the Wave Books release of Aygi’s poems, translated masterfully by Sarah Valentine, audiences worldwide are able to celebrate Aygi among his Russian contemporaries.
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We Rode into Total Downpour

  • Gina Myers
  • March 7, 2012
The poems run between lyric and narrative with many of them having a steam-of-conscious-like feel as the speaker makes leaps in ideas and imagery from line-to-line.
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A Flower Too Often Smelt Will Wilt

  • Spencer Hendrixson
  • March 2, 2012
This is a hybrid book that chronicles the real journey and imagines the surreal journey of Lewis and Clark, from watching a baseball game with President Jefferson and Ozzie Smith,…
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Thumbs In, Fingers Splayed

  • Matthew Zingg
  • February 29, 2012
Throughout the collection, the speaker in these poems is constantly aware of this contradiction, the intersection between life and art, perhaps frighteningly so, seeking solace in “these few things left,”…
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Trees Are Blooming Into Bright Lightbulbs

  • Kelly Forsythe
  • February 25, 2012
Schomburg’s newest book, Fjords, Vol. 1 holds true to this idea of finding familiarity in a parallel consciousness. Just because the poems often work in a seemingly private dreamscape, doesn’t…
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The Whole Vortex of Home

  • Barbara Berman
  • February 24, 2012
[Peter] Gizzi’s particular gift is to posit that shifting location where senses meet the terrible and the sublime, where political portent or its brittle actualities announce themselves in various configurations.
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We’ll Call Them Contact Zones

  • Lisa Wells
  • February 22, 2012
Based in research of museum design, and memorialization, Slot’s narrator moves inside public landmarks dedicated to various disasters—9/11, slavery, Hiroshima, the Holocaust— and explores ways memorialization acts on conscience and…
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