Posts Tagged: Cheryl Strayed
What is more American than the road trip? Steven Melendez has created an astonishingly detailed interactive map of the beloved institution as documented in twelve works of American literature. The books featured include Cheryl Strayed’s Wild, Jack Kerouac’s On the Road, Mark Twain’s Roughing It, John Steinbeck’s Travels with Charley, and Tom Wolfe’s The Electric Kool-Acid Test....more
When an artist has to assert that her intended audience is all humans rather than those who happen to be of her particular gender or race, what she’s actually having to assert is the breadth and depth of her own humanity.
Maria Popova collects the advice of Cheryl Strayed and uses Strayed’s words to deconstruct motherfuckery.
Invoking the time right before she wrote her first book, when she too was a twenty-something writer plagued by the same fear that she was “lazy and lame,” Strayed recounts how she “finally reached a point where the prospect of not writing a book was more awful than the one of writing a book that sucked”; in other words, she got off the nail.
It’s that time of year again, where writers young and old, from all corners of the country, come to congregate in one gigantic, frenetic, neurotic, alcohol-infused crowd, in a couple of fancy hotels no one can really afford, to stay in and talk shop (or not, depending on how your writing’s been this year)....more
When Facebook founder Mark Zuckerberg decided to launch a book club, book publishers were hoping the billions of Facebook users would translate into book sales. But the numbers are in, and Zuckerberg is no Oprah: BetaBoston reports that though The End of Power sold out on Amazon, it only sold 13,000 copies....more
For the Atlantic, Jennie Rothenberg Gritz interviews Nick Hornby about his new book Funny Girl and his experience adapting Cheryl Strayed’s Wild for the big screen. While Hornby says he would not consider writing a screenplay based on his own books, adapting other authors’ work has helped him to mix things up and “keep things fresh”:
A lot of what Funny Girl is about for me is the experience feeling very happy doing a certain thing with a certain group of people.
This idea — that one person, and only one person, in any given generation can possess the intellectual prowess, creative might, emotional intelligence and writing chops to produce a novel that speaks truth about the disparate American whole — is pure hogwash.
Friday was one of those days where it felt like way too many threads had come unraveled from the thrift-store sweater of my life and were just tangled in an heap of wet yarn at my feet. One of those dreary grey days when I could have used some advice, and maybe a gentle voice saying, “It’ll be ok, sweet pea.” One of those days when I said, to no one in particular, on Twitter, “Do you ever have one of those days when you wish ‘Dear Sugar’ was still around?”
So imagine my surprise when only a few hours later Cheryl Strayed and (original Sugar) Steve Almond announced they were reviving “Dear Sugar” as a podcast....more
Time works strange changes on the world. Some things grow dull, some grow wild, some erode past legibility. After Strayed saved her life, after she told her story, after that story became a best seller, strangers started asking her what she would say if she could go back in time and talk to her mother.
In today’s New York Times Book Review, there’s a great essay by Cheryl Strayed responding to the prompt “Is This a Golden Age for Woman Essayists?” She rightly tears the question to shreds. And yet, I’ll admit it. I tend to gravitate towards writers who are women, both in terms of what I read and who I befriend....more
For The Kenyon Review “Credo” series, Megan Mayhew Bergman offers some thoughts on “socially-conscious writing”:
I’m not sure if it was becoming a mother, or publishing my first book—because these events happened in essentially the same year—but when it comes to my writing career, all I can tell myself is: make it matter.