“Funny Women” submissions don’t read themselves. Most of the time Assistant Regional Funny Woman Katie Burgess reads them (she wrote the infinitely funny “How to Read a Poem,” anthologized in Oxford University Press’s Humor: A Reader for Writers, and has since gone on to read slush)....more
Posts Tagged: Funny Women
And, our own Funny Women Editor Elissa Bassist is among the featured instructors, teaching a two-day masterclass in humor writing, during which “each student will brainstorm, outline, write, and workshop a successful shortish parody/satire or die trying.” The course begins on September 24—head over to Catapult’s website for further info and to sign up!...more
Probably internationally acclaimed playwright Liza Birkenmeier, dubbed “the next big thing” by someone somewhere, who wrote national bestseller “Funny Women #136: Recommendation Letter” is also here to help you with your weekend plans.
The cultural moment we are in is obsessed with true crime .
All “Funny Women” readers are enthusiastically invited to The Bell House (next to The Bell Jar, presumably) in Brooklyn tonight.
Reductress, “the first and only satirical women’s magazine,” is hosting The Brotherhood of Women, a night of standup courtesy of Janeane “Oh My God, It’s Janeane Garofalo” Garofalo, Sara Benincasa (author of Agorafabulous!...more
Not one but two “Funny Women” pieces are included in Oxford University Press’s Humor: A Reader for Writers: Erin Somers’s “Funny Women #99: Modern Vice” and Katie Burgess’s “Funny Women #102: How to Read a Poem” (only women whose last names end with “s” were considered, so do not feel bad if you were unfavorably named)....more
Near the bottom of every Funny Women piece is the note, “Rumpus original art by Annie Daly.” We believe in combining hilarious content with a strong aesthetic while promoting artists with ovaries. For a year, Annie’s reliably created beautiful illustrations to make women’s writing and jokes prettier....more
Mitt Romney ignited a feminist revolution during the 2012 presidential debates when he said, “I went to a number of women’s groups and said: ‘Can you help us find folks?’ And they brought us whole binders full of women.”
Throw VIDA’s pie charts highlighting “gender disparity in major literary publications and book reviews” into the mix, and you’ll grasp the necessity of Out of the Binders, a two-day solution/conference at NYU of workshops and panels “on/for/by women in the literary arts and film/TV” (which is probably you if you’re reading this post), aimed “to empower women and gender non-conforming writers with tools, connections, and strategies to advance their careers” (and enhance cup size)....more