Posts Tagged: Funny Women

Call for Submissions: Emrys Journal

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“Funny Women” submissions don’t read themselves. Most of the time Assistant Regional Funny Woman Katie Burgess reads them (she wrote the infinitely funny “How to Read a Poem,” anthologized in Oxford University Press’s Humor: A Reader for Writers, and has since gone on to read slush).

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Catapulting Humor into Your Writing

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Following the recent announcement of its merger with Counterpoint Press, Catapult is starting a new season of writing workshops!

And, our own Funny Women Editor Elissa Bassist is among the featured instructors, teaching a two-day masterclass in humor writing, during which “each student will brainstorm, outline, write, and workshop a successful shortish parody/satire or die trying.” The course begins on September 24—head over to Catapult’s website for further info and to sign up!

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Humor: A Reader for Writers

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Not one but two “Funny Women” pieces are included in Oxford University Press’s Humor: A Reader for WritersErin Somers’s “Funny Women #99: Modern Vice” and Katie Burgess’s “Funny Women #102: How to Read a Poem” (only women whose last names end with “s” were considered, so do not feel bad if you were unfavorably named).

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“Funny Women” Art Show

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Near the bottom of every Funny Women piece is the note, “Rumpus original art by Annie Daly.” We believe in combining hilarious content with a strong aesthetic while promoting artists with ovaries. For a year, Annie’s reliably created beautiful illustrations to make women’s writing and jokes prettier.

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BinderCon: A Symposium on Women Writers Today

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Mitt Romney ignited a feminist revolution during the 2012 presidential debates when he said, “I went to a number of women’s groups and said: ‘Can you help us find folks?’ And they brought us whole binders full of women.”

Throw VIDA’s pie charts highlighting “gender disparity in major literary publications and book reviews” into the mix, and you’ll grasp the necessity of Out of the Binders, a two-day solution/conference at NYU of workshops and panels “on/for/by women in the literary arts and film/TV” (which is probably you if you’re reading this post), aimed “to empower women and gender non-conforming writers with tools, connections, and strategies to advance their careers” (and enhance cup size).

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