Posts Tagged: literary magazines
Unseen, a literary magazine founded by Singaporean university students, wants us to release ourselves from “the pressure-cooker environment of examinations” and all the literature we’re required to read for them. The Unseen creators believe that reading outside of the curriculum encourages literary creativity and exploration, and want to spread the wealth to their peers everywhere....more
I am not trying to brag, humble or otherwise, but merely establishing that perhaps the only thing I’m actually qualified to talk about in this world is literary magazine publication. Does the world need another submitting guide? Personally, I’ve found that far too many of these columns are long on vague clichés and short on real talk.
The Kenyon Review. Mundo Nuevo. The Paris Review.
Check out whether you’ve been unknowingly colluding with secret agents whilst reading your favorite lit mags. Patrick Iber writes, “The CIA became a major player in intellectual life during the Cold War—the closest thing that the US government had to a Ministry of Culture.” (The Rumpus would like to state that we are miffed to be excluded from this list.)...more
Missouri Review editor Michael Nye explains the importance of persistence when it comes to submitting to literary journals, saying that editors do begin to recognize the names and writing of long-time submitters. The argument might seem self-serving, however, given that Nye has long defended reading fees as essential to funding journals....more
The CLMP blog interviews the staff of literary magazine, A Public Space, for a nice, succinct take on what it’s like to be a contemporary lit editor. Contains: public confusion on the term “a public space”, answers to the age-old “is social media destroying everything?” question, and alternate career aspirations of the staff....more
“Does anybody outside of our circle care?” asks The Millions’ Nick Ripatrazone in a post about literary magazines. “What is the wider cultural influence of literary magazines?”
To try to figure it out, he looks at pop-culture depictions of lit-mags, from a George Plimpton cameo on The Simpsons to a whole episode of Cheers about submitting—and then receiving rejection letters for—poetry....more
Here’s an interesting way to consume new short fiction: Connu, a sort of cross between an app and a litmag, will send you one short story every weekday.
The stories are brand new and written by established authors and their protégés, including Joyce Carol Oates, Sam Lipsyte, Aimee Bender, and Lydia Davis....more
“What happens between the idea and the product?”
Pocket Notes is a project about compiling ideas. Their focus is not on the destination, but the journey; it is not the finished product, but the in-between stages. What results is the documentation of the creative processes of various artists and thinkers....more
For whatever reason, this austere paper system works better for me than others, which says more about how my mind works than it does about Excel spreadsheets. Maybe I’m projecting, but no matter your system, if you’re a submitter, two things are essential: order and efficiency.
HOOT is a “brief, displayable, shareable” literary magazine on a postcard. Original submissions of fewer than 150 words are accepted, and one piece is published in print each month....more
A new young adult literary magazine will be introduced in 2012. Each issue of One Teen Story “will feature one amazing short story about the teen experience.” A contest will determine the story for the final issue of the year. Sales open in February, and the magazine will take shape both electronically and in print....more
The economics of publishing a literary magazine reveal some inauspicious stats. Magazine editors have to stay crafty and constantly reinvent what it means to be innovative, just to survive. Even offering digital options as an alternative to print doesn’t guarantee any sort of sustainability....more
Sometimes you read a story published almost a hundred years ago in a magazine and you ask yourself, “Would this stand a chance of getting published today?”
These sentences are long, tangential and laden with disruptive conjunctions. This narrator is all over the place with his emotions and his memories....more