Posts Tagged: VIDA
Mitt Romney ignited a feminist revolution during the 2012 presidential debates when he said, “I went to a number of women’s groups and said: ‘Can you help us find folks?’ And they brought us whole binders full of women.”
Throw VIDA’s pie charts highlighting “gender disparity in major literary publications and book reviews” into the mix, and you’ll grasp the necessity of Out of the Binders, a two-day solution/conference at NYU of workshops and panels “on/for/by women in the literary arts and film/TV” (which is probably you if you’re reading this post), aimed “to empower women and gender non-conforming writers with tools, connections, and strategies to advance their careers” (and enhance cup size)....more
VIDA is launching a new roundtable discussion series on issues in writing by women on June 2nd at Housing Works Bookstore in Manhattan. The event is the first of a series that will take place every fall and winter/spring. This time, they conversation centers on how women write about other women, featuring a panel including Jill Lepore, Rebecca Mead, Salamishah Tillet, and Ruth Franklin....more
Literature and commercial publishing have a diversity problem. People of color and women are both in short supply. Rumpus contributor Daniel Peña, writing at Plougshares, offers a market-based explanation:
But I wonder how much these problems stem not from MFA whiteness, or the MFA system, or even publishing at large, but from the very narratives we crave—white, middle-to-upper brow, predominately heteronormative.
Ron Hogan, who runs the literary website Beatrice, wants to help change that by starting a new book-review column that intentionally focuses on the work of a diverse range of authors....more
As we’ve documented pretty extensively before, arts organization VIDA has done a lot to expose gender inequality in the writing world with its annual count comparing female bylines to male ones in a number of publications.
The New York Review of Books‘ ratio has been less than stellar for the past three years, with female reviewers and female authors reviewed never rising above 20% of the total....more
Poet, memoirist, and Beat figure Hettie Jones is, like most of us, unhappy about sexism in the publishing industry.
In a blog post on the subject, she discusses VIDA statistics, Deborah Copaken Kogan’s Nation essay, and (drumroll!) Elissa Bassist’s amazing Funny Women essay “Writing the Next Great American Woman’s Novel.”
Jones calls Bassist’s humor “indelible” and ties it into the “frustratingly sad” larger picture....more
Are male and female writers interviewed equally? Loraine Berry at Talking Writing thinks not.
It’s gone to show that interviewers are often more interested in a female writer’s dietary habits and marital problems than their literary processes and work. Jodi Picoult says that she has been asked how she lost weight many, many times....more
We reached out to several of the worst offenders to ask where they thought they had gone wrong…but got very little in the way of responses. So we decided, instead, to reach out to the editors of the publications that actually had managed to show a relatively gender-equitable byline distribution in 2012.
VIDA, the organization that tracks the status of women in the writing world, has posted their annual count of female writers published in major literary magazines in comparison to male writers published in the same places.
This year, they’ve posted side-by-side statistics for 2010, 2011, and 2012, all in easily readable bar-graph form....more
Before VIDA released its latest count, there was Ann Hays’ open letter to The New Yorker complaining about the dearth of women in its pages, and I remember applauding the letter while thinking the whole time that it wouldn’t matter if the conversation didn’t somehow jump into the mainstream....more
“I do not believe that apparent authoritative literary voices of validation would ever make such a grand claim about a novel written by a woman. I say this because I believe there are many novels by women that are about the same sort of world as presented in Freedom. Sadly, the culture usually calls these books domestic or family sagas. Are the novels of Anne Tyler, Marilynne Robinson and Mona Simpson any less white and middle “American” than Franzen”...more