Features & Reviews
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All the World is a K-Drama: A Conversation with Matthew Salesses
I wanted to be able to frame the story within this understanding that these are powerful forces and that these are stories we’ve heard a lot before, and that these stories get in the way of, or make it hard…
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All Storytelling is Nonbinary: An interview with Jennifer Savran Kelly
People who feel safe and able or who have privilege should use the space they create for themselves to make more space for people from marginalized communities. We all need to hold space for one another.
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Languages Within A Language: Camilo José Cela’s The Hive
How do you represent, in a different tongue, the languages within the language of the original text?
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Belonging across multiple places: Sorayya Khan examines the concept of home
I think we are all shaped by history, whether we accept this or not.
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What to Read When: You Like to Look at Birds
I have long gravitated toward books that know where they are situated.
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Holding On and Letting Go: Rebecca Aronson’s Anchor
Gravity is what tethers us to the earth and to those we love, but it is also what we are constantly trying to escape. Anchor is about both these states—the holding on and the letting go—and the tension between them.
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Challenging the Length and Notion of Storytelling: A conversation with Davon Loeb
. . . good writing and good storytelling has to exceed the relatable . . .
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Artifacts of Adolescence: Curing Season by Kristine Langley Mahler
We lose track of things and people over time. But back then, they felt like everything.
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Writing About a Muslim Girl Who Can Contain Multitudes: A Conversation with Bushra Rehman
Teenagers are brilliant—you actually get duller as an adult . . .
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Navigating the Messy, the Scary, and the Beautiful: A conversation with Marisa Crane
I think humor is so important to who we are as people, how we deal with pain, how we connect with one another. It’s essential to my being and my writing.
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A Kind of Common Madness: A Conversation with Liz Harmer
Two huge things happened to me when I was quite young: I went mad, and I fell in love, in relatively swift succession.
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Finding Freedom in the Absurd: Jesse Ball’s Autoportrait
From Ball’s absurdist perspective, leaning into the world’s inherent purposelessness isn’t about embracing mortality. It’s about embracing complete obliteration.