Reviews
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Our Anesthetized Culture: Kyle Chayka’s Filterworld
You can probably describe your algorithmic content with a comical level of detail—the unsolicited stuff you’re targeted with each time you go online. Mine includes nail art, vegan-alternative recipes for candy bars, and “get ready with me” videos of women…
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Psychedelic Revision: Álvaro Enrigue’s You Dream of Empires
It is in their form—ravaging, dumb, dreamlike, free—that we can glean momentary order from Enrigue’s comic humor.
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Sketch Book Reviews: Ardor
Knorr . . . makes a variety of forms and experiments into a cohesive artifact.
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Competing Impulses: Blake Butler’s Molly
“Should I be allowed to make this said? To bring to light a part of Molly’s story she covered over at any cost?”
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Coming-of-age into Fame: Ben Fama’s If I Close My Eyes
Masterful prose…a novel that takes an unflinching view of what some might do for fame and ratings.
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The Circumstance of Expectancy: Sara Gallardo’s January
From the early pages of the novel, she laments, “It’s a different story for rich girls, they have their ways,” which is a very elegant way of throwing one’s arms up and shouting that it isn’t fair to a world…
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A Mortal Education: Bernardo Zannoni’s My Stupid Intentions
In one of Solomon’s early lessons, he pushes Archy toward thoughts of his own mortality for the first time before offering religion as a solution to existential dread.
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“Good Buy” to All That: Pip Adam’s The New Animals
It’s imaginative fiction in a way that is jolting to the auto-fiction that is so prevalent today, and it allows Adam to make commentary on the disasters of human ambition.
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Organic Sins: Clemens Meyer’s While We Were Dreaming
Have we made contact with the Leipzig of the late ’80s and early ’90s? Have we made contact with THAT German?
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Identifying a Mixed Flock: Dimitri Reyes’s Papi Pichón
Such multistoried, woven-together heritage justifies and perhaps even demands the necessity of different ways to tell an origin story.
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Against Aesthetic Beauty: Lauren Elkin’s Art Monsters
. . . Elkin revisits works and experiences new ones, generating dialogues between them and their artists.
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In the Details: Don DeLillo’s Library of America volumes
In 1979, at the age of forty-two, the distinctly American writer Don DeLillo made a change that would have a profound impact on his work: he left the United States. Awarded a Guggenheim Fellowship that year —his first accolade after…