Reviews
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Artifacts of Adolescence: Curing Season by Kristine Langley Mahler
We lose track of things and people over time. But back then, they felt like everything.
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Finding Freedom in the Absurd: Jesse Ball’s Autoportrait
From Ball’s absurdist perspective, leaning into the world’s inherent purposelessness isn’t about embracing mortality. It’s about embracing complete obliteration.
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Another Oracle: Lynn Xu’s Those Ashen Heaps That Cantilevered Vase of Light
Almost ten years have passed since Lynn Xu’s debut, the luminous Debts & Lessons, introduced us to her oracle. “Let it not be for what you write, the world / I mean,” opens one of the collection’s signature center-justified poems,…
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Balancing the Heart and Mind: Ryan Lee Wong’s Which Side Are You On
Which Side Are You On is a novel both of the heart and the mind: one that makes you think and question your perception of the world and your place in it, and feel deeply and fervently about what matters…
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What Is a Person?: Lydia Conklin’s Rainbow Rainbow
Safety requires setting up clear boundaries, but a restricted life is lonely and isolating and often impossible to bear.
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The Sense of Words: Reverse Engineer by Kate Colby
. . . language is duplicitous. To be broken is perhaps to be part of a process (or a metaphor for life), where to bend (and survive) also leads to being broken. In this context, the word “broken” in “Reverse…
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The Story and the Truth: Elaine Hsieh Chou’s Disorientation
. . . a scathing, satirical campus novel about academia, orientalism, the Western commodification of Asian cultures, and the lengths to which institutions will go to protect their reputations and their darlings.
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The Claws That Type the Text: Ander Monson’s Predator: A Memoir, a Movie, an Obsession
Rather than saying, Fuck it, and remaining stagnant in the face of cultural horrors, Monson suggests readers start with the marginalia. Exhaust all possibilities. Carve a new path where sweeping prescriptions fail to stick.
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SKETCH BOOK REVIEWS: Three Faves
A roundup of great books that didn’t make it into Sketch Book Reviews this year
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A World Where We Are Known and Loved: Shelley Wong’s As She Appears
to be seen is not the same thing as being known

