When he was five, six, seven, and eight, Max spent most of the summer thinking about the whale, sitting in his room with the shades drawn remembering the first visit and looking forward to the second, just before the new school year.
I think of a story I might write: about a daughter who loses her father to the sea. She grows progressively more melancholy; her dreams haunted by man-o-war, stingray, and poisonous rockfish.
Author Benjamin Parzybok talks about his new novel, Sherwood Nation, climate fiction, the difference between post-collapse and post-apocalyptic, and how novels can predict the future if they try hard enough (and get lucky).
As you tour this short exhibit, ask yourself: Which compositions best represent the still life: Fruit or modern humanity, fast on its way to being killed, eventually, by chairs?
Author Laura van den Berg talks to the Rumpus about why she thinks America is obsessed with dystopias, the intersection of surrealism and realism in her work, and choosing an ambiguous ending for her new novel, Find Me.
Hoping to gain some insight into the nature of love and family, Elizabeth Tannen begins to visit the elderly woman who was once like a grandmother to her and who now has Alzheimer's.