The Rumpus Interview with Rich Villar
Poet Rich Villar discusses his activism, his admiration for Pablo Neruda, the importance of vernacular, and why love poetry may be the most political poetry of all.
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Literary Puns, Round III
If you enjoyed Timothy Leo Taranto's first and second rounds of literary puns, check out these new illustrations of such essential authors as Juneau Díaz and Karen Mussel
FUNNY WOMEN #112: Reasons I Might Be Dead
What does a girl have to do to get a hot guy's attention when he's with another girl shopping for linens at Bed Bath & Beyond around here? Not be dead for 30 years?
This Man Is Not My Father
I’m sitting across from the man who looks exactly like my father would look if my father had lived to be fifty-seven. If my father hadn’t died sixteen years ago when I was thirteen. But he did.
Ted Wilson Reviews the World #215
THE EARTH’S CORE ★★★★★ (4 out of 5) Hello, and welcome to my week-by-week review of everything in the world. Today I am reviewing the Earth’s core.
The Rumpus Interview with Kathleen Hanna
Frontwoman of seminal '90s punk band Bikini Kill, experimental multimedia group Le Tigre, and now The Julie Ruin, Kathleen Hanna talks about how her music is about herself, now more than ever, and what it's like to be considered an iconic leader of the Riot Grrrl movement.
X. My Soldier, Iraq, and Contract Marriage
The incinerator burned amputated body parts. It sat immediately next to the barracks in Baghdad.
The Sunday Rumpus Essay: Proof of Loss
As her new pregnancy progresses, Emily Rapp explores the human choices of survival and happiness after the wreckage.
The Rumpus Interview with Patricia Lockwood
Patricia Lockwood, poet and author of the infamous "Rape Joke," talks about her book Balloon Pop Outlaw Black, Laura Ingalls Wilder’s influence on her writing, and what fame means for poets in the age of social media.
The Rumpus Review of American Hustle
This is a movie that wants to be about truth and lies, and the nature of both. It wants to be about the ubiquity of the con. And it wants to be about the authenticity that can somehow grow in an environment of utter fakery.