new yorker
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This Week in Essays
Oh, the simple pleasures of life before the Internet. Emma Rathbone hilariously takes us back to that arguably better time over for New Yorker. At JSTOR Daily, M. Milks comes to claim their queer identity thanks to the most radical of groups:…
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You Can’t Be a Snob with Bad Teeth: Talking with David Sedaris
David Sedaris discusses his new collection of diary entries, Theft By Finding, his love for book signings, and his inevitable return to IHOP.
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The Dark Heart of America: On David Grann’s Killers of the Flower Moon
David Grann’s new book Killers of the Flower Moon explores the 1920s murders of the Osage tribe, the making of the FBI, and is a reminder of the all too recent history of betrayals that comprise America’s dark heart.
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The Rumpus Interview with Larissa MacFarquhar
Larissa MacFarquhar discusses her book Strangers Drowning, why she finds nonfiction so compelling, and how she gets inside the minds of her subjects.
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“Housefulls, Churchfulls, Airportsfull”
In an extended essay in the New Yorker, Megan Marshall, author of the forthcoming Elizabeth Bishop: A Miracle for Breakfast, writes about Bishop’s late, serendipitous move to Harvard where she met Alice Methfessel, a young “house secretary” who would become her…
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Portrait of an Actress
In an article for the New Yorker, Richard Brody writes about the newly restored 1967 film by Hans-Jürgen Syberberg, Romy: Anatomy of a Face. The film “offers an intimate view of the actress Romy Schneider, revealing crucial conflicts behind the…
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Ordinary (French) People
If some have trouble coming to terms with what Mège has made or done, it could be useful to think of her work, as conceptual as it might be, as a dance that lasted twenty-two years. For the New Yorker,…
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Zadie Smith and Jeffrey Eugenides in Conversation
I only have a curiosity, an interest, a love, and that’s it, really. At the New Yorker, Michele Moses shares a video clip from the 2016 New Yorker Festival featuring writers Zadie Smith and Jeffrey Eugenides in conversation about their…
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Light/Dark
At the New Yorker, Ed Caesar interviews Anna Lyndsey, author of the memoir Girl in the Dark, about her mysterious light sensitivity that kept her in the dark for over a decade. Citing prominent dermatologists, Ceasar questions Lyndsey’s symptoms and explores the possibility that…
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“The Disjointedness of Life”
For the New Yorker, Peter Moskowitz talks to poet Tommy Pico about anger, juxtaposition, and inheritance: He told me that he uses poetry to square two identities that don’t fit together well: being a poor, queer kid from the rez, and…