new yorker
-
Guildtalk #1: The Rumpus Interview with Eddie Joyce
Guildtalk, brought to you by The Rumpus and the Authors Guild, brings attention to exciting new voices in American literature. The first installment features Richard Russo and Eddie Joyce.
-
Repressed Reading
That night, I found myself seriously questioning this assumption I’d held since childhood: “You have to try to forget that while you’re reading.” You do? Why? And, more to the point, how? How do you approach literature when you find it…
-
The USPS Doesn’t Know Its Angelou Quotes
After the United States Postal Service misattributed a quote to Maya Angelou on a commemorative stamp, many suggested that the Postal Service “had simply believed too readily what they read on the Internet.” Now, for the New Yorker, Ian Crouch argues that…
-
Save the Birds: A Rumpus Roundup
Jonathan Franzen is an avid bird lover, as anyone who read Freedom might have guessed. Two weeks ago, Franzen wrote a piece for the New Yorker that, among other things, condemned the Audubon Society for focusing too much on climate…
-
Proust’s Imperfections
For the New Yorker’s “Page Turner,” Adam Gopnik argues “why an imperfect version of Proust is a classic in English.”
-
Keep Warburg Weird
The future of the Warburg Institute, one of London’s most influential and strangest libraries, is examined at length in this week’s New Yorker. Adam Gopnik covers the history of the center, from its founding in pre-Nazi Germany through the height…
-
Waves and Illusions
On the latest New Yorker fiction podcast, Etgar Keret treats listeners to a reading of Donald Barthelme’s “Chablis”. Afterwards, he and Deborah Treissman chat about voice, babies, and how writing short stories is a little like surfing.
-
Black and White and Black
Over at the New Yorker, Zadie Smith tackles Key and Peele: The two men are physically incongruous. Key is tall, light brown, dashingly high-cheek-boned, and L.A. fit; Peele is shorter, darker, more rounded, cute like a Teddy bear. Peele, who…
-
Half a Century Later
Down at the New Yorker, Kelefa Sanneh asks where the black critics are (and whether we ever had any to begin with, and how the field is irrelevant until they come back): Sociologists who study black America have a name for…
-
Better than the Book
Film adaptations can take their source novels in a million different directions, some innovative, others painfully off the mark. John Colapinto evaluates the movie versions of different Nabokov stories for the New Yorker, exploring their various formal challenges and triumphs.
-
The Original Comments Section
For the New Yorker, Lauren Collins looks at what she calls “the original comments section”—old notes written in the margins of books—and our modern obsession with them.
-
New York, Collected
At the New Yorker, Valeria Luiselli gives us an essay in defense of monuments, libraries, park benches, daughters, Dickinson, and ‘simplicissimusses’: In that first New York of my early twenties, I decided that I despised writers who admitted to crying…