For The Baffler, Kurt Newman analyzes Tom DeMarco’s 1997 novel, The Deadline: A Novel of Project Management, comparing the work to that of the Marquis de Sade and explaining why a seemingly irrelevant book highlights “our economic order’s sadomasochistic core.” The Deadline differs from other sadomasochistic fiction (American Psycho, Fight Club, and 24) in that it is distinguishable for “its illumination of the role of sadist and masochistic fantasies—not in the psychopathologies of day traders, not in the hollow rituals of postmodern consumption and therapy, and not in the torture chambers of late-capitalist militarism—but in the world of industrial relations.”...more
Posts Tagged: The Baffler
The Baffler has a newly designed website, which includes all of its 25 issues, available for free. With so much talk about the New Yorker opening its digital gates this summer, let’s not forget “the Journal that Blunts the Cutting Edge.” If you need some ideas of where to start, Dan Piepenbring has recommendations at the Paris Review....more
After a hiatus of a few years, the intellectually-engaging, always interesting, often confrontational and downright maverick literary/cultural magazine The Baffler has returned!
I just picked up my copy at the bookstore where I work. Most bookstores with a decent magazine rack should carry at least a couple copies....more