Poetry
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#AdrienneRich
While putting linen into a hat box and then putting the hat box into a cardboard box, because I’m moving from the mountain to the city, I get a call about Adrienne Rich’s death.
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National Poetry Month Day 3: “Cousins” by Jonterri Gadson
Welcome to The Rumpus’s National Poetry Month project. We’ll be running a new poem from a different poet each day for the month of April. Cousins On the rock slide behind Building 10, we crushed pebbles into powder, and plotted…
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The Last Poem I Loved: “Modotti” by Adrienne Rich
I didn’t have time to be devastated on the day Adrienne Rich died, but I still couldn’t keep back the tears. Like so many others, Rich was The One to me, America’s greatest living everything I ever wanted to be:…
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National Poetry Month Day 2: “At the Book Shrink” by Brenda Shaughnessy
Welcome to The Rumpus’s National Poetry Month project. We’ll be running a new poem from a different poet each day for the month of April. At the Book Shrink one learns to say “my body uses me as a grape…
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National Poetry Month at The Rumpus
This is the fourth time we at The Rumpus have celebrated National Poetry Month by running a new, original poem by a different poet every day of April (and sometimes a little beyond). You’ll be able to keep up with…
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An Inverted World of Trees and Trembling Sky
At its best, After the Point of No Return gives us just what we hope to find: poems that wrestle with mortality, retrace the steps of a life, and take us past the limit of flesh into whatever comes next.
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Adrienne Rich, 1929 – 2012
Adrienne Rich, one of the preeminent poets of the 20th and early 21st centuries, has died at the age of 82, according to the LA Times. I don’t really have much to add–she was an amazing poet and powerful presence…
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“How clearly you can see some nights,” a Rumpus Original Poem by Katie Chaple
How clearly you can see some nights So many stars like salt crystals scattered on a tablecloth, the seeming blankness of space,
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Tell Me She Is Happy With Her Life
In this collection, Chaple successfully fuses the personal with the spatial. As a result, an awareness of the way poems, by airing out the rooms of stanzas, can provide at once solace and disarray comes into terrible focus.
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Elegy and Affirmation
McSweeney’s interviews Rebecca Lindenberg about her first book Love, an Index, making poetry out of Facebook statuses, “maximalism,” and more. “I think there is a general misconception that you write poems because you ‘have something to say.’ I think, actually,…
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The Rumpus Poetry Book Club Chat With D. A. Powell
The Rumpus Poetry Book Club chats with D.A. Powell about his poetry collection Useless Landscape, or A Guide for Boys.