elena ferrante
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The Earth Recycles All of Us: Talking with Micheline Aharonian Marcom
Micheline Aharonian Marcom discusses her novel, The Brick House, female sexuality in literature, and transcendence through dreaming.
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What to Read When You Don’t Want Summer to End
A list of books that take place in the summer, remind us of summer, and/or just make for great beach reads.
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Scripting New Narratives: Mandy Len Catron’s How to Fall in Love with Anyone
I can’t help but wonder what if, in detangling love stories and our relationships to them, Catron is building yet another narrative—an anti-narrative, perhaps—of love.
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The Rumpus Mini-Interview Project #90: Erika Carter
Erika Carter’s debut novel Lucky You tells the story of three young women in their early twenties who leave their waitressing jobs in an Arkansas college town to embark on a year off grid in the Ozark Mountains. In a…
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Saying What Shouldn’t Be Said: A Conversation with Julie Buntin
Julie Buntin discusses her debut novel, Marlena, why writing about teenage girls is the most serious thing in the world, and finding truths in fiction.
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What to Read When You Need More Anne Shirley in Your Life
Today, the new series Anne with an E premieres on Netflix. Here’s a list of books for times when you need a strong female protagonist like Anne Shirley.
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Funny Women #152: Features of the Groundbreaking American Writers Museum
We’ll be open as long as the National Endowment for the Arts is.
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The Rumpus Interview with D. Foy
D. Foy discusses his latest novel, Patricide, the evolution of “gutter opera,” his writing process, free will, and memes.
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High Fidelity: Anita Raja on Translation
The editors at Asymptote Journal certainly couldn’t have expected Elena Ferrante to be outed when they planned their October 2016 issue, which includes Rebecca Falkoff and Stiliana Milkova’s translation of a 2015 speech given by Anita Raja. In “Translation as…
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What Elena Ferrante and Kim Kardashian Have in Common
While the outing of Elena Ferrante and the robbing of Kim Kardashian were not inherently gendered acts, the responses to them certainly have been. In light of these two seemingly divergent issues, the New Yorker’s Jia Tolentino meditates on the framing…
