Features & Reviews
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A Space of Her Own
Marcia LeBeau’s debut collection, A Curious Hunger, is a powerful testament to the unabashed wholeness of womanhood—and an assertion that our culture, where power skews cis male, needs to make space for it. All of it. This is a big…
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Take A Risk and Stand at The Edge of a Cliff: A Conversation with Jen Michalski
In her newest novel, All This Can Be True (Keylight Books, 2025), Michalski makes readers want to break out the black eyeliner and catch a show headlining (the excellently named) Clit Girls.
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Misperceptions, Assumptions, and Slurs: Jackie Domenus’s No Offense
Even when doing the work to figure ourselves out, even within the seemingly safest of spaces, we must grapple with how others contain and label us.
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Chaos Seeps Into Order: A Conversation with Maria Reva
If you can laugh about a difficult situation, laugh in your aggressor’s face, it gives you a sense of power.
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A Summertime Swoon Tash Aw’s The South
The relationship helps Jay achieve a sense of selfhood that promises to outlast the usual parameters of a summer romance. In a sense, he’s coming out to himself.
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Despair is a Luxury, but Hope is a Discipline: A Conversation with Robert Macfarlane
Despair is a luxury, but hope is a discipline.
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Contrast, Rumination, and Metamorphosis: Diannely Antigua’s Good Monster
As in her debut, Antigua heads off any feelings of confessional monotony by mixing her diary poems with an elegant variety of lesser confessional, more expositional poems.
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Why a Happy Ending Matters: A Review of John Vercher’s Novels
To appreciate John Vercher’s complete oeuvre of fiction, we have to appreciate what has remained throughout his work and what has shifted.
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I Needed Love Poems For Myself: A Conversation with Rob Macaisa Colgate
I’m curious about a world in which people are less bothered by the physical confrontation of mental disability, and that felt important when I was writing this book to have mental disability take up physical space in the poems and…
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The First Book: Veena Dinavahi
Make your own meaning. It sounds cliché, but I’ve come to accept it as a survival skill.
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“Three Initiates”: On Jeanne Thornton’s A/S/L
When Thornton’s characters’ lives on and off screen drastically diverge, A/S/L not only satisfies nostalgia, but catapults the narrative to a whole new level.
