How to Win a Gunfight: Bret Anthony Johnston’s We Burn Daylight
The teens in this book seem to know something the adults don’t: that if they are going to have any kind of future, they must create it themselves.
Features & Reviews
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Living in a Nowhere Space: A Conversation with Olivia Gatwood
Tech perpetuates ideas we’ve already had about women, but it just blows them out of proportion to kind of impossible degrees.
The First Book: Santiago Jose Sanchez
I was repeatedly drawn to the fractures in my life—the gaps between childhood, adolescence, and adulthood, and my relationships with sex, my mother, and my motherland.
Reversing the Apocalypse: A Review of Hussain Ahmed’s Blue Exodus
...the world of the dead, the living, and the unborn are all in a cycle. Human materiality is indestructible.
The Complex Heritage of Assimilation: A Conversation with Randy Ribay
Our collective individual efforts impact in some way, the community. It’s important for me to not pass judgment because we are all figuring it out.
The Eternal Grind: Nick Rees Gardner’s Delinquents and Other Escape Attempts
A clever manipulator of time, Gardner doesn’t rely on the convenience of thirst to move his characters through the page.
“I Wanted the Magic Bullet”: A Conversation with Jessica Hoppe
...that’s what’s toxic: the belief that I’m not enough. Substances are, in general, neutral.
The First Book: Melissa Petro
In our culture, motherhood is presumably sanctified, and I thought I’d experience social acceptance beyond anything I’d ever imagined. Instead, I felt under constant surveillance and yet utterly invisible....
“I thought my sorrow could transform me”: A Conversation with Megan Pinto
Visually, prose tells us that we’re moving through time, through narrative or rhetoric, and visually, poetry tells us we’re moving up and down through lyric, feeling.
“I Am in Love With Moons”: My Lesbian Novel and To After That (TOAF) by Renee Gladman
But this is love: crying into your lover’s face until it becomes so ridiculous, that the event becomes absolutely precious.
We Live in History: A Conversation with Nicolás Medina Mora
Who among us can say that the life they’re leading is the product of their choices and not a staging of the script they were handed at birth?
Red as in: Dawn Lundy Martin’s Instructions for the Lovers
Perhaps like a phoenix, Martin maintains such a commanding presence throughout the book because she has endured the sacrificial fire of being a poet, the necessary self-immolation.